Lorcan Murray's Classic Drive: The Mirror and the Palette (Part 2) | Culture File
Art critic, Jennifer Higgie has been looking at the missing stories of historical women artists (including this time Artemisia Gentileschi) through the genre to which they had the greatest access: self-portraiture.
Lorcan Murray's Classic Drive: The Mirror and the Palette (Part 2) | Culture File
Art critic, Jennifer Higgie has been looking at the missing stories of historical women artists (including this time Artemisia Gentileschi) through the genre to which they had the greatest access: self-portraiture.