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In an episode that explores a central religious taboo and pushes the boundaries of what many might deem acceptable within Jewish tradition, we ask whether Cat Stevens was on to something when he sang that the "first cut is the deepest." Zev Levi scored and sound-designed the episode with music from Blue Dot Sessions. Sela Waisblum created the mix. The end song, Bidyuk Kmo SheAni ("As I Am"), was written and arranged by Ravid Plotnik (Nechi Nech) and Shai Or, and performed by Plotnik. Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine.
Stay connected with us on Facebook, Instagram, and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or The Times of Israel.
Hosted on Acast. See acast.com/privacy for more information.
By Israel Story4.8
11931,193 ratings
In an episode that explores a central religious taboo and pushes the boundaries of what many might deem acceptable within Jewish tradition, we ask whether Cat Stevens was on to something when he sang that the "first cut is the deepest." Zev Levi scored and sound-designed the episode with music from Blue Dot Sessions. Sela Waisblum created the mix. The end song, Bidyuk Kmo SheAni ("As I Am"), was written and arranged by Ravid Plotnik (Nechi Nech) and Shai Or, and performed by Plotnik. Stay connected with us on Facebook, Twitter, Instagram and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or Tablet Magazine.
Stay connected with us on Facebook, Instagram, and by signing up for our newsletter at israelstory.org/newsletter/. For more, head to our site or The Times of Israel.
Hosted on Acast. See acast.com/privacy for more information.

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