English literary journalist Lucasta Miller noted that Hardy's title, Far From the Madding Crowd, with 'madding' taken to mean 'frenzied', is an ironic nod to idyllic perceptions of rural life; Hardy 'disrupts the idyll'. At the heart of the story is Bathsheba, a proud and independent young shepherd who becomes the new proprietor of her late uncle's farm. Her story unfolds against stunning rural landscapes that provide a sublime stage for violence both physical and emotional.