The bouzouki was apparently not particularly well-known among the refugees from Asia Minor, but had been known by that name in Greece since at least 1835, from which year a drawing by the Danish artist Martinus Rørbye has survived. It is a view of the studio of the Athenian luthier Leonidas Gailas (Λεωνίδας Γάϊλας), whom the artist describes as Fabricatore di Bossuchi. The drawing clearly shows a number of bouzouki-like instruments. Despite this evidence, we still know nothing of the early history of the instrument's association with what came to be called rebetiko Recent research has however uncovered a number of hitherto unknown references to the instrument during the 19th and early 20th centuries, including evidence of its established presence in the Peloponnese.