The grotesqueries and the  delights of Canto 2.  The narrator as delightful, inconsistent placeholder.  Juan as delightful, inconsistent placeholder.  The non-accretion of the past for both of them, as what makes the flexibility and radical openness of the poem possible.

The grotesqueries and the delights of Canto 2. The narrator as delightful, inconsistent placeholder. Juan as delightful, inconsistent placeholder. The non-accretion of the past for both of them, as what makes the flexibility and radical openness of the poem possible.

The grotesqueries and the &nbsp;delights of Canto 2. &nbsp;The narrator as delightful, inconsistent placeholder. &nbsp;Juan as delightful, inconsistent placeholder. &nbsp;The non-accretion of the past for both of them, as what makes the flexibility and radical openness of the poem possible.

LR 6: Don Juan Canto 2: Juan and the Narrator

New for 2023: Victorian Poetry

Scroll back for previous courses on Shakespeare, Eighteenth Century Poetry, Close Reading, Various film genres, Film and Philosophy,  the Western Canon, Early Romantics, 17th Century Poetry, etc.

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New for 2023: Victorian Poetry Scroll back for previous courses on Shakespeare, Eighteenth Century Poetry, Close Reading, Various film genres, Film and Philosophy, the Western Canon, Early Romantics, 17th Century Poetry, etc.

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LR 6: Don Juan Canto 2: Juan and the Narrator

LR 6: Don Juan Canto 2: Juan and the Narrator