This episode begins our new series on singers and songs. Today we are featuring the legendary vocalist Bonda Dimiškova, who was related to and served as a role model for Vaska Ilieva. Dragi talks about how he came into contact with her family, details about her artistic and often tragic life, and her influence on other singers who followed her.

This episode marks the conclusion of the podcasts of the 54 songs in Dragi's 3-CD set. We will be continuing the show after this episode with more wonderful songs, but are delighted to have reached this milestone after 16 years. Dragi learned this song from his mother, Rajna, and it was the last song he talked with her about before she died. It is a ballad about two lovers with tragic consequences.

Dragi discusses the long history of the Ohridski Trubaduri, who originally recorded this love song. He also talks at length about the wonderful vocalist Vanja Lazarova.

Dragi talks about some of the traditions found in line dancing, and some ways romancing was carried out. He then spends the majority of the podcast talking about the extraordinary legendary vocalist Vaska Ilieva.

Dragi talks about the four major women's vocal groups from Aegean Macedonia, how they came to be formed, and the importance of cultural context and hidden meanings in songs.

This love song from the Debar region features the wonderful singer, Kiril Mančevski. Dragi also talks about ornamentation, and wedding traditions.

Dragi discusses another of his mother's songs, from the Kumanovo area. He talks about the differences between čalgija, urban, and izvoren melodies, and how musical arrangement decisions were made for recordings.

Another song from the Tetovo area, originally sung by Olga Sičan, about a girl who cannot marry due to a death in the family. Dragi talks about these customs.

This song, popular throughout Macedonia, was originally recorded by Aleksandar Sarievski. Dragi talks about Sarievski and his contemporaries.

Another song from the repertoire of Dragi's mother, Rajna Spasovska. Dragi continues his discussion of his mother's singing history and her colleagues, including a review of vocalists and groups from the Tetovo and Kumanovo areas.