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It feels like AI can now write anything for us and create anything for us. In some respects it’s exciting, but it’s also scary, and it raises a depressing question: will technology kill creativity?
There are few people better placed to answer that question than Polish-American artist Agnieszka Pilat. Agnieszka is the Silicon Valley elite’s favourite artist. Intelligencer magazine has called her the court painter of the potentate’s of Silicon Valley, including Elon Musk, who has twice invited her onsite for an artist residency at SpaceX.
She is best known for her work with Spots: dog-like robots designed by Boston Dynamics, which are more usually used by mining companies or militaries than by artists. In her own words, “Machines are humanity’s children. I am just giving them a page in a family album.”
Follow Will Kingston and Fire at Will on social media here.
Subscribe to The Spectator Australia here.
By The Spectator Australia4.9
1212 ratings
It feels like AI can now write anything for us and create anything for us. In some respects it’s exciting, but it’s also scary, and it raises a depressing question: will technology kill creativity?
There are few people better placed to answer that question than Polish-American artist Agnieszka Pilat. Agnieszka is the Silicon Valley elite’s favourite artist. Intelligencer magazine has called her the court painter of the potentate’s of Silicon Valley, including Elon Musk, who has twice invited her onsite for an artist residency at SpaceX.
She is best known for her work with Spots: dog-like robots designed by Boston Dynamics, which are more usually used by mining companies or militaries than by artists. In her own words, “Machines are humanity’s children. I am just giving them a page in a family album.”
Follow Will Kingston and Fire at Will on social media here.
Subscribe to The Spectator Australia here.

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