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Transcript:At this point, you have probably heard enough about the effect of Bad Bunny’s Super Bowl halftime show on the president and his coalition. While there are plenty of details to debate, including the ludicrous allegation that the Grammy-winner’s performance was “pure smut,” I think it’s important to keep your eyes fixed on what’s really at stake. Rightwingers don’t mind “indecent acts,” as their protection of “the Epstein class” should attest. What they mind is a global superstar, who originates from Puerto Rico and whose native language is Spanish, making affirmative claims about who belongs in America. Bad Bunny’s halftime show was an extension of remarks he made two weekends ago after winning six Grammys. “Before I say thanks to God, I’m going to say ICE out,” he said. “We’re not savage. We’re not animals. We’re not aliens. We are humans and we are Americans.”His argument in favor of kindness and common cause, and in defense of diversity and inclusion, was later immortalized on words written on a football — “Together, we are America” — and it lay beneath a spectacle seen by 135 million, according to the Daily News. The strength of Bad Bunny’s argument was enhanced by the impotence of its counterpart. Turning Point USA, the hate group founded by the late Charlie Kirk, organized an alternate musical event. Emceed by Kid Rock, the show’s message was, more or less, America is for “us,” not “them.” According to the Daily News, just 6 million watched it. That’s their beef. Donald Trump and his rightwing allies will not believe their vision of America — essentially, a racially exclusive club — is unpopular. They will never accept that America has fallen in love with a man who was born Benito Antonio Martínez Ocasio, who was bagging groceries a decade ago before rising to Spotify’s top global artist, who welcomes everyone and whose life embodies the American Dream. So they smear him, accusing him of involvement in a criminal conspiracy to somehow force Americans into loving him against their will. That’s the thinking behind a new complaint by US Congressman Andy Ogles. The Tennessee Republican described the Super Bowl halftime show as "pure smut" featuring "explicit displays of gay sexual acts, women gyrating provocatively, and Bad Bunny shamelessly grabbing his crotch while dry-humping the air."Ogles continued, saying Bad Bunny "openly glorified sodomy and countless other unspeakable depravities." Ogles said "these flagrant, indecent acts" break federal law regulating television airwaves. He called for an investigation in a letter to the chair of the House Energy and Commerce Committee, which oversees broadcast regulations. But such allegations are decoys. Rightwingers do not care about “family values.” If they did, they would not tolerate the incarceration of babies. (The youngest person in the Dilley Detention Center in Texas is 2 months old, according to Univision.) Rightwingers do not care about higher-order things, only whether they can be used to accomplish their goals. In this case, the goal is discrediting a global superstar who is popularizing a new and dangerous idea of belonging in America. You don’t need to pass a test. You don’t have to know the rules. You don’t even need the correct paperwork. If you’re here, you’re American. Because “together, we are America.”“Together, we are America” is new, as it casts immigration in the context of brotherhood, so the burden of government is finding ways of turning a fact of life into a fact of law. It is dangerous, as it upends a decade of rightwing effort to move public understanding of immigration away from a matter of freedom and opportunity to a matter of crime and punishment. The burden is now entirely on individuals. They’re presumed guilty until proven innocent. “Together, we are America” has the potential of turning that around. Bad Bunny’s ethic of belonging is dangerous for another reason. It comes as the logical conclusion to ten years of fear-mongering and hate speech is coming into view: families ripped apart, communities shredded, citizens murdered and concentration camps opening. Even respectable white people, or “independent voters,” are recoiling (mostly because they are shocked to learn that an “immigration crackdown” includes them). Thanks to the horrors the country has witnessed over the last month, they are now open to alternatives, especially alternatives being advanced by the most popular performing artist on the planet. Right now, the focus is on ICE and its crimes. That, however, is like the allegation that Bad Bunny’s show was “pure smut” — it limits politics to terms favorable to Trump. “Abolish ICE” should be part of a bigger picture so the meaning of belonging is radically redefined. Immigrants are Americans. They might not speak the language. They might not know the rules. They might not have the right papers. But they are here. That makes them American. The question is not if they are, but when it becomes official.Our Analysis:The Political Theater of Outrage and the True Stake of BelongingIn the swirling vortex of political and cultural commentary, the uproar over Bad Bunny's Super Bowl halftime performance and its subsequent fallout provides a glaring example of the theatrics of outrage that dominate our public discourse. The accusations leveled against the performance by figures like US Congressman Andy Ogles, described as "pure smut" and an "explicit display of gay sexual acts, women gyrating provocatively, and Bad Bunny shamelessly grabbing his crotch while dry-humping the air," seem less about genuine concern for public morality and more about a calculated distraction from the actual message of inclusivity and unity that Bad Bunny represents.The Smokescreen of DecencyThe allegations of indecency are a classic red herring, a smokescreen designed to obscure the real issue at hand: the challenge to a narrow, exclusionary vision of what it means to be American. The charge that Bad Bunny's halftime show, which reached an audience of 135 million, according to the Daily News, was an affront to decency is laughable when juxtaposed against the backdrop of what the right wing seems to tolerate from their own ranks. The defense of figures associated with scandal and the incarceration of infants, as highlighted by Univision's report on the Dilley Detention Center, starkly contrasts with the right's purported championing of "family values."The hypocrisy is palpable. But it's not just hypocrisy; it's strategic. By focusing on the performative aspects of Bad Bunny's show, detractors aim to divert attention from the powerful message of inclusion and unity he espouses. "Together, we are America" isn't just a slogan; it's a declaration of a broader, more inclusive vision of American identity that transcends legal status, language, or cultural background.The Real Threat: A Redefined American DreamBad Bunny's message is revolutionary not because it promotes "unspeakable depravities," but because it challenges a decade of right-wing efforts to equate immigration with criminality. The idea that "you don’t need to pass a test, you don’t have to know the rules, you don’t even need the correct paperwork. If you’re here, you’re American," represents a seismic shift in the narrative surrounding immigration and belonging in the United States.This narrative shift is what truly terrifies the likes of Donald Trump and his allies. It's not the fear of a decline in public morality that keeps them up at night; it's the fear of losing grip on a racially and culturally exclusive vision of America. An America where the likes of Benito Antonio Martínez Ocasio, a Puerto Rican who rose from bagging groceries to becoming Spotify’s top global artist, can redefine what it means to be American is an America where the traditional gatekeepers of power and identity are rendered obsolete.Conclusion: The Battle for America's SoulThe outcry over Bad Bunny's Super Bowl halftime show is a microcosm of the larger battle for America's soul. It's not about the alleged indecency of his performance. It's about who gets to define Americanness in the 21st century. The right-wing's fixation on decorum and legality masks a deeper fear of an America that recognizes the humanity and Americanness of all its inhabitants, regardless of their origin or legal status.In this context, "Abolish ICE" and calls for immigration reform are not just policy positions; they are rallying cries for a radical redefinition of belonging. Immigrants are not waiting to become Americans; they are Americans. The question, as the article aptly puts it, is not if they are, but when it becomes official.The uproar over Bad Bunny's performance is a distraction, a sideshow to the main event: the ongoing struggle to define an inclusive, expansive, and humane vision of what it means to be American. In the face of fear-mongering and hate speech, the message of unity and inclusion is not just important; it's revolutionary. And it's a battle we must all be prepared to fight.
By Paulo SantosTranscript:At this point, you have probably heard enough about the effect of Bad Bunny’s Super Bowl halftime show on the president and his coalition. While there are plenty of details to debate, including the ludicrous allegation that the Grammy-winner’s performance was “pure smut,” I think it’s important to keep your eyes fixed on what’s really at stake. Rightwingers don’t mind “indecent acts,” as their protection of “the Epstein class” should attest. What they mind is a global superstar, who originates from Puerto Rico and whose native language is Spanish, making affirmative claims about who belongs in America. Bad Bunny’s halftime show was an extension of remarks he made two weekends ago after winning six Grammys. “Before I say thanks to God, I’m going to say ICE out,” he said. “We’re not savage. We’re not animals. We’re not aliens. We are humans and we are Americans.”His argument in favor of kindness and common cause, and in defense of diversity and inclusion, was later immortalized on words written on a football — “Together, we are America” — and it lay beneath a spectacle seen by 135 million, according to the Daily News. The strength of Bad Bunny’s argument was enhanced by the impotence of its counterpart. Turning Point USA, the hate group founded by the late Charlie Kirk, organized an alternate musical event. Emceed by Kid Rock, the show’s message was, more or less, America is for “us,” not “them.” According to the Daily News, just 6 million watched it. That’s their beef. Donald Trump and his rightwing allies will not believe their vision of America — essentially, a racially exclusive club — is unpopular. They will never accept that America has fallen in love with a man who was born Benito Antonio Martínez Ocasio, who was bagging groceries a decade ago before rising to Spotify’s top global artist, who welcomes everyone and whose life embodies the American Dream. So they smear him, accusing him of involvement in a criminal conspiracy to somehow force Americans into loving him against their will. That’s the thinking behind a new complaint by US Congressman Andy Ogles. The Tennessee Republican described the Super Bowl halftime show as "pure smut" featuring "explicit displays of gay sexual acts, women gyrating provocatively, and Bad Bunny shamelessly grabbing his crotch while dry-humping the air."Ogles continued, saying Bad Bunny "openly glorified sodomy and countless other unspeakable depravities." Ogles said "these flagrant, indecent acts" break federal law regulating television airwaves. He called for an investigation in a letter to the chair of the House Energy and Commerce Committee, which oversees broadcast regulations. But such allegations are decoys. Rightwingers do not care about “family values.” If they did, they would not tolerate the incarceration of babies. (The youngest person in the Dilley Detention Center in Texas is 2 months old, according to Univision.) Rightwingers do not care about higher-order things, only whether they can be used to accomplish their goals. In this case, the goal is discrediting a global superstar who is popularizing a new and dangerous idea of belonging in America. You don’t need to pass a test. You don’t have to know the rules. You don’t even need the correct paperwork. If you’re here, you’re American. Because “together, we are America.”“Together, we are America” is new, as it casts immigration in the context of brotherhood, so the burden of government is finding ways of turning a fact of life into a fact of law. It is dangerous, as it upends a decade of rightwing effort to move public understanding of immigration away from a matter of freedom and opportunity to a matter of crime and punishment. The burden is now entirely on individuals. They’re presumed guilty until proven innocent. “Together, we are America” has the potential of turning that around. Bad Bunny’s ethic of belonging is dangerous for another reason. It comes as the logical conclusion to ten years of fear-mongering and hate speech is coming into view: families ripped apart, communities shredded, citizens murdered and concentration camps opening. Even respectable white people, or “independent voters,” are recoiling (mostly because they are shocked to learn that an “immigration crackdown” includes them). Thanks to the horrors the country has witnessed over the last month, they are now open to alternatives, especially alternatives being advanced by the most popular performing artist on the planet. Right now, the focus is on ICE and its crimes. That, however, is like the allegation that Bad Bunny’s show was “pure smut” — it limits politics to terms favorable to Trump. “Abolish ICE” should be part of a bigger picture so the meaning of belonging is radically redefined. Immigrants are Americans. They might not speak the language. They might not know the rules. They might not have the right papers. But they are here. That makes them American. The question is not if they are, but when it becomes official.Our Analysis:The Political Theater of Outrage and the True Stake of BelongingIn the swirling vortex of political and cultural commentary, the uproar over Bad Bunny's Super Bowl halftime performance and its subsequent fallout provides a glaring example of the theatrics of outrage that dominate our public discourse. The accusations leveled against the performance by figures like US Congressman Andy Ogles, described as "pure smut" and an "explicit display of gay sexual acts, women gyrating provocatively, and Bad Bunny shamelessly grabbing his crotch while dry-humping the air," seem less about genuine concern for public morality and more about a calculated distraction from the actual message of inclusivity and unity that Bad Bunny represents.The Smokescreen of DecencyThe allegations of indecency are a classic red herring, a smokescreen designed to obscure the real issue at hand: the challenge to a narrow, exclusionary vision of what it means to be American. The charge that Bad Bunny's halftime show, which reached an audience of 135 million, according to the Daily News, was an affront to decency is laughable when juxtaposed against the backdrop of what the right wing seems to tolerate from their own ranks. The defense of figures associated with scandal and the incarceration of infants, as highlighted by Univision's report on the Dilley Detention Center, starkly contrasts with the right's purported championing of "family values."The hypocrisy is palpable. But it's not just hypocrisy; it's strategic. By focusing on the performative aspects of Bad Bunny's show, detractors aim to divert attention from the powerful message of inclusion and unity he espouses. "Together, we are America" isn't just a slogan; it's a declaration of a broader, more inclusive vision of American identity that transcends legal status, language, or cultural background.The Real Threat: A Redefined American DreamBad Bunny's message is revolutionary not because it promotes "unspeakable depravities," but because it challenges a decade of right-wing efforts to equate immigration with criminality. The idea that "you don’t need to pass a test, you don’t have to know the rules, you don’t even need the correct paperwork. If you’re here, you’re American," represents a seismic shift in the narrative surrounding immigration and belonging in the United States.This narrative shift is what truly terrifies the likes of Donald Trump and his allies. It's not the fear of a decline in public morality that keeps them up at night; it's the fear of losing grip on a racially and culturally exclusive vision of America. An America where the likes of Benito Antonio Martínez Ocasio, a Puerto Rican who rose from bagging groceries to becoming Spotify’s top global artist, can redefine what it means to be American is an America where the traditional gatekeepers of power and identity are rendered obsolete.Conclusion: The Battle for America's SoulThe outcry over Bad Bunny's Super Bowl halftime show is a microcosm of the larger battle for America's soul. It's not about the alleged indecency of his performance. It's about who gets to define Americanness in the 21st century. The right-wing's fixation on decorum and legality masks a deeper fear of an America that recognizes the humanity and Americanness of all its inhabitants, regardless of their origin or legal status.In this context, "Abolish ICE" and calls for immigration reform are not just policy positions; they are rallying cries for a radical redefinition of belonging. Immigrants are not waiting to become Americans; they are Americans. The question, as the article aptly puts it, is not if they are, but when it becomes official.The uproar over Bad Bunny's performance is a distraction, a sideshow to the main event: the ongoing struggle to define an inclusive, expansive, and humane vision of what it means to be American. In the face of fear-mongering and hate speech, the message of unity and inclusion is not just important; it's revolutionary. And it's a battle we must all be prepared to fight.