To horror fans who think "they don't make em like they used to," we point to the DIY, shot-on-digital gore flick Septic. Made over the course of five years and featuring some truly impressive special effects, Septic is 82 minutes of gratuitous violence and nasty sex. Because she pointed this flick out to us, we had splatterpunk and extreme horror author Judith Sonnet jump on board to discuss this little-seen slice of punk rock cinema. Plus, gay undertones in Die Hard, comic recommendations, melt movies, and the SOV horror scene.

The Scary of Sixty-First: Lucas loves it, but Jeff has some strong opinions about its writer/director Dasha Nekrasova. The 92nd episode of Make Your Own Damn Podcast discusses separating art from the artist, Rosemary's Baby and Repulsion, Eyes Wide Shut, anime girls, conspiracies, and the current push to make the Republican Party appeal to young voters. Weirdly enough, all of that is relevant to this strange slice of modern trash cinema.

After Terror Firmer, it seems Lloyd and company aimed to up the ante in the offensive content department with Citizen Toxie. If so, this begs the question: did they succeed? And is there a point? We wrestle with this in our latest episode.

In Stuart Gordon's catalog of H.P. Lovecraft adaptations, Castle Freak doesn't get the love and attention that others (most notably Re-Animator, From Beyond) do. Does that mean it isn't any good? Join us as we explore this mid-90s, straight-to-VHS splatter film, produced and distributed by independent pioneers Full Moon Features. Plus, we discuss the 2020 remake, Gordon's legacy as a creator, and reading H.P. Lovecraft before it was cool (and later became very uncool). It's probably got our most tangents per a single episode, but there was a lot to unpack. And we had fun doing it.

Previously a Patreon-exclusive, here's Jeff and Lucas talking about the Academy Award-winning EVERYTHING EVERYWHERE ALL AT ONCE.

Jeff and Lucas sit down to talk about one of the most creative movies in recent years. Dave Made a Maze examines creativity itself while crafting something truly unique. Plus, it's got a wrestler in it, so Lucas gets to do a fun sidebar on Lucha Underground. We're switching to a biweekly recording schedule for the foreseeable future, but we still plan to post weekly content of some kind. Check us out on Patreon.

Last House on the Left, I Spit on Your Grave, House on the Edge of the Park, Promising Young Woman... what do all these films have in common? They're all part of the r*pe/revenge subgenre. Jeff Burk and Lucas Mangum discuss these films in detail, as well as list some of their favorites.

In this previously Patreon-exclusive, Lucas and Jeff sit down with Kevin L. Donihe (author of Night of the Assholes) to discuss war movies and A24 fandom.

Troma has long been known for making films designed to provoke their audience, but have they ever taken things too far? Has the studio that gave us Bloodsucking Freaks and Terror Firmer ever outdone itself? We're not sure, but 2000's Unspeakable certainly comes close to crossing those boundaries. A low-budget, transgressive affair, Unspeakable follows a grieving father as he stalks the streets looking for victims in hopes that spilling the blood of the city's marginalized will reunite him with his dead daughter...who he also happens to lust after. Unspeakable is a mean film without a doubt, but is it any good? 

Why are there so many Amitville movies? Who is making them? How deep does Amitville Rabbit Hole (release date TBD) go? It's technically the horror franchise with the most sequels, but very few made in the past twenty years are canonical. Whatever that means. Join Jeff and Lucas on this strange, haunted journey to discover WTF is going on with the Amityville franchise.