Welcome to The Nick Taylor Horror Show! Today, we have a dynamic duo, Director Anthony DiBlasi, and his wife, actress Natalie Victoria, joining us. 

After graduating from Emerson College and moving to Los Angeles, Anthony became a protégé of Clive Barker and worked alongside him on films like Midnight Meat Train and 2009's Book of Blood. 

Anthony made his directorial debut with the psychological thriller Dread, based on a Clive Barker short story. One of Anthony's most acclaimed films was Last Shift, released by Magnolia Pictures in 2015. His filmography also includes the psychological thriller Extremity from 2018.

Now let's talk about Anthony's Wife, Natalie Victoria. Beginning her career in theater, Natalie has earned awards and recognition for her acting and writing. Natalie has acted in various features, short films, and stage plays, including the comedy "Deadheads," and the cult classic horror film Last Shift. 

Natalie stars in Anthony's latest release Malum, which is actually a remake of Last Shift.  The film follows a rookie police officer as she uncovers the eerie connection between her father's death and a vicious cult during her shift at a decommissioned police station. As the lone officer on duty, she finds herself in the midst of terrifying paranormal events while learning the shocking truth about her family's history with the cult.

In our conversation today, we discuss the importance of building trust with actors, crafting horror based on personal fears, and Anthony's 10 years working with Clive Barker. Here for your listening pleasure are Natalie Victoria and Anthony DiBlasi.

Here are some key takeaways from this conversation with Anthony DiBlasi.

Make Hell a safe space. 

I've talked with people at length about how horror can be substantially more demanding on actors because it requires the most intense emotions. For this reason, horror directors need to take particularly great care of their actors. Anthony mentioned that it's essential for directors to shield their actors from on-set turmoil, especially time constraints. By ensuring your actors are cocooned from such pressures, even at the cost of other departments, you provide them with the environment necessary for a stellar performance.

Forge an emotional connection to your actors. 

Anthony also stressed the significance of establishing genuine emotional connections with your actors.  It's the director's job to uncover the emotional truth that resonates with the actor for each scene. Rather than rudely prying them for emotionally intimate details of their life, Anthony stated that he would often reveal intimate and vulnerable details about himself and how he related to a scene to enable them to open up. Art often requires vulnerability; if you want your actors to go to dark places, you have to be willing to go there first. 

Find out how your actors like to work. Further, Anthony and Natalie underlined the importance of understanding your actor's preferred way of working and direction style. Encourage them to share past directing experiences, both good and bad. Every actor is different, and tuning into their specific needs will mold you into a more versatile director.

Create a repository

When it came to the creation of Malum, Anthony revealed how various elements - dreams, sketches, vague concepts - had been incorporated into the film.  Fortunately, his habit of consistently jotting down ideas, no matter how undeveloped, provided a wealth of material, or 'firewood' as David Lynch would say, all of which was at his disposal during the scriptwriting process. As a result, Anthony strongly encourages the use of note-taking apps (like Evernote and Notion), as they can be game changers. Amassing your thoughts over time can make facing that blank page far less daunting.

 

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