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Manifestations: Retrieval (Episode#7)
Host Kenyatta A.C. Hinkle/Olomidara Yaya discusses the theme of retrieval. From discussing how retrieval can be a way to combat erasure to examining hegemony and how it can rear its head during studio visits and within classroom learning experiences. Hinkle/Yaya explores her retrieval methods and how they relate to what it means to be creative in the face of transgenerational trauma and erasure. She discusses the difficulty of what it means to retrieve and the concerns of repatriation that she discovered while on her Fulbright to Lagos, Nigeria 2015-16. She asks listeners to question what does it mean to emerge from erasure? What does it mean to learn new languages that have been extinguished from the land? What does it mean to embody the stories you want to tell and embody them as well? Hinkle/Yaya also reads an excerpt from Ntozake Shange's theatre piece For Colored Girls Who Have Considered Suicide/ When the Rainbow Is Enuf (dubbed a “choreopoem” for its highly original combination of music, poetry, and dance) performed on Broadway in 1976-1977. The featured passage recites the lines for lady in green as she talks about a thief that walked away with all of her shit (stuff). During this selected passage Shange paints a powerful portrait of theft in relationship to HIStory, colonialism, domestic abuse and so many other challenges that plague BIPOC womxn throughout various diasporas but with the main focus upon Black Womxn. Hinkle/Yaya meditates on this passage as resistance and call for repatriation and retrieval of one's self in the midst of navigating the Historical Present.
*This episode includes expletives.
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Published: Feb. 08, 2021 @ 6PM Edit
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By Kenyatta A.C.Hinkle (Olomidara Yaya)Host Kenyatta A.C. Hinkle/Olomidara Yaya discusses the theme of retrieval. From discussing how retrieval can be a way to combat erasure to examining hegemony and how it can rear its head during studio visits and within classroom learning experiences. Hinkle/Yaya explores her retrieval methods and how they relate to what it means to be creative in the face of transgenerational trauma and erasure. She discusses the difficulty of what it means to retrieve and the concerns of repatriation that she discovered while on her Fulbright to Lagos, Nigeria 2015-16. She asks listeners to question what does it mean to emerge from erasure? What does it mean to learn new languages that have been extinguished from the land? What does it mean to embody the stories you want to tell and embody them as well? Hinkle/Yaya also reads an excerpt from Ntozake Shange's theatre piece For Colored Girls Who Have Considered Suicide/ When the Rainbow Is Enuf (dubbed a “choreopoem” for its highly original combination of music, poetry, and dance) performed on Broadway in 1976-1977. The featured passage recites the lines for lady in green as she talks about a thief that walked away with all of her shit (stuff). During this selected passage Shange paints a powerful portrait of theft in relationship to HIStory, colonialism, domestic abuse and so many other challenges that plague BIPOC womxn throughout various diasporas but with the main focus upon Black Womxn. Hinkle/Yaya meditates on this passage as resistance and call for repatriation and retrieval of one's self in the midst of navigating the Historical Present.
*This episode includes expletives.
Episode is Live
Published: Feb. 08, 2021 @ 6PM Edit
Unpublish
Add a Transcript
Get episode better indexed by search engines.
Add Chapter Markers
Listeners can tap through & see what’s coming up.
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