Living with the F

Manila streets


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šŸŽ™ļø **Episode 15: Surviving Manila ā€“ A Street Photography Adventure**

**šŸŽ§ Welcome to todayā€™s episode, where I take you on a chaotic, slightly questionable, but totally unforgettable journey into the wild world of street photography in Manila.**

It all started with a bold breakfast declaration:

*"Today, I will become a street photographer."*

Armed with my camera, blind optimism, and zero actual plans, I hit the streets of Manilaā€”**and was immediately overwhelmed.**

šŸš– **Jeepneys honking like itā€™s a competition**

šŸ¢ **Vendors hustling harder than Wall Street traders**

šŸ“¦ **A guy balancing three sacks of rice while texting**

**WHERE WAS I SUPPOSED TO LOOK?**

- The sampaguita vendor closing deals like a stockbroker?

- The tragic Jollibee cup abandoned in a gutter?

- The fisherman staring into Manila Bay like it owed him money?

I had no idea what I was doing. I needed a **strategy.**

---

### **šŸ– Step One: Focus on the Small Stuff**

Experts say: **focus on handsā€”they tell stories.**

So, naturally, I lurked near carinderias, snapping shots of people flipping hot pandesal, counting crumpled peso bills, and gripping jeepney handles for dear life.

And thenā€”trouble.

*"Boss, bakit mo kinukunan kamay ko?"*

A very unimpressed tindero, holding a half-sliced watermelon, caught me in the act. **Cue panic mode.**

I muttered something about ā€œcapturing the poetry of daily lifeā€ and backed away at a **totally casual, not-guilty speed.**

---

### **šŸ’” Step Two: Chase the Light (Without Causing an Emergency)**

Inspired by **Kiribane Photography**ā€”a technique pioneered by **Matthias Meyer**ā€”I set out to capture light, textures, and reflections.

Except, I had no idea how.

So, I did what any confused photographer would do:

šŸ“ø **Pressed my camera against jeepney windows (confused passengers stared).**

šŸ“ø **Stood next to puddles for dramatic reflections (pedestrians got suspicious).**

šŸ“ø **Pointed my lens at a rising column of smoke from an ihaw-ihaw stand (bad idea).**

And thatā€™s when a **barangay tanod appeared.**

*"Boss, bakit mo kinukunan ā€˜to? May sunog ba?"*

**Second interrogation of the day.** I was one question away from **a free tour of the barangay hall.**

Lesson learned? **Chasing light is great. Accidentally staging a fire drill? Not so much.**

---

### **šŸš² Step Three: Network Like a Pro (Or Accidentally Join a Bicycle Crew)**

Frustrated but determined, I decided to **meet local photographers.**

I posted:

*"In Manila this week! Any street photography enthusiasts want to meet up?"*

One reply:

**"Punta ka sa Escolta. May cycling crew doon."**

**Perfect.**

I arrived expecting some low-key shots. Instead, I found a **bicycle crew weaving through Divisoria like they had cheat codes for traffic.**

And then, one of them yelled: **"Kuya, gusto mo sumama?"**

**Now, letā€™s be clear: I do NOT bike in Manila.**

But in the spirit of **street photography (and poor decision-making),** I said:

*"Sige!"*

**šŸš² What followed was a near-death experience:**

- Dodging jeepneys āœ…

- Swerving past a tricycle āœ…

- Getting some of the best action shots of my life āœ…

Would I do it again? **Absolutely.**

---

### **šŸŽ™ļø Final Takeaway: Just Show Up, and Let Manila Do the Rest**

Hereā€™s what I learned: **You donā€™t find the perfect street photography momentā€”it finds you.**

Manila is chaotic, unpredictable, and **an absolute goldmine for storytelling.**

So whether youā€™re **lurking near peopleā€™s hands (maybe donā€™t), getting questioned by barangay tanods (definitely donā€™t), or accidentally embedding yourself in a bicycle crew (highly recommended),** the key is simple:

**Keep walking. Keep looking. And if someone offers you a bike ride through Manilaā€¦ maybe think twice.**

šŸŽ§ **Thatā€™s it for todayā€™s episode! Donā€™t forget to subscribe, and Iā€™ll catch you next time for more misadventures behind the lens.** šŸ“·




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Living with the FBy Matthias Meyer