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šļø **Episode 15: Surviving Manila ā A Street Photography Adventure**
**š§ Welcome to todayās episode, where I take you on a chaotic, slightly questionable, but totally unforgettable journey into the wild world of street photography in Manila.**
It all started with a bold breakfast declaration:
*"Today, I will become a street photographer."*
Armed with my camera, blind optimism, and zero actual plans, I hit the streets of Manilaā**and was immediately overwhelmed.**
š **Jeepneys honking like itās a competition**
š¢ **Vendors hustling harder than Wall Street traders**
š¦ **A guy balancing three sacks of rice while texting**
**WHERE WAS I SUPPOSED TO LOOK?**
- The sampaguita vendor closing deals like a stockbroker?
- The tragic Jollibee cup abandoned in a gutter?
- The fisherman staring into Manila Bay like it owed him money?
I had no idea what I was doing. I needed a **strategy.**
---
### **š Step One: Focus on the Small Stuff**
Experts say: **focus on handsāthey tell stories.**
So, naturally, I lurked near carinderias, snapping shots of people flipping hot pandesal, counting crumpled peso bills, and gripping jeepney handles for dear life.
And thenātrouble.
*"Boss, bakit mo kinukunan kamay ko?"*
A very unimpressed tindero, holding a half-sliced watermelon, caught me in the act. **Cue panic mode.**
I muttered something about ācapturing the poetry of daily lifeā and backed away at a **totally casual, not-guilty speed.**
---
### **š” Step Two: Chase the Light (Without Causing an Emergency)**
Inspired by **Kiribane Photography**āa technique pioneered by **Matthias Meyer**āI set out to capture light, textures, and reflections.
Except, I had no idea how.
So, I did what any confused photographer would do:
šø **Pressed my camera against jeepney windows (confused passengers stared).**
šø **Stood next to puddles for dramatic reflections (pedestrians got suspicious).**
šø **Pointed my lens at a rising column of smoke from an ihaw-ihaw stand (bad idea).**
And thatās when a **barangay tanod appeared.**
*"Boss, bakit mo kinukunan āto? May sunog ba?"*
**Second interrogation of the day.** I was one question away from **a free tour of the barangay hall.**
Lesson learned? **Chasing light is great. Accidentally staging a fire drill? Not so much.**
---
### **š² Step Three: Network Like a Pro (Or Accidentally Join a Bicycle Crew)**
Frustrated but determined, I decided to **meet local photographers.**
I posted:
*"In Manila this week! Any street photography enthusiasts want to meet up?"*
One reply:
**"Punta ka sa Escolta. May cycling crew doon."**
**Perfect.**
I arrived expecting some low-key shots. Instead, I found a **bicycle crew weaving through Divisoria like they had cheat codes for traffic.**
And then, one of them yelled: **"Kuya, gusto mo sumama?"**
**Now, letās be clear: I do NOT bike in Manila.**
But in the spirit of **street photography (and poor decision-making),** I said:
*"Sige!"*
**š² What followed was a near-death experience:**
- Dodging jeepneys ā
- Swerving past a tricycle ā
- Getting some of the best action shots of my life ā
Would I do it again? **Absolutely.**
---
### **šļø Final Takeaway: Just Show Up, and Let Manila Do the Rest**
Hereās what I learned: **You donāt find the perfect street photography momentāit finds you.**
Manila is chaotic, unpredictable, and **an absolute goldmine for storytelling.**
So whether youāre **lurking near peopleās hands (maybe donāt), getting questioned by barangay tanods (definitely donāt), or accidentally embedding yourself in a bicycle crew (highly recommended),** the key is simple:
**Keep walking. Keep looking. And if someone offers you a bike ride through Manilaā¦ maybe think twice.**
š§ **Thatās it for todayās episode! Donāt forget to subscribe, and Iāll catch you next time for more misadventures behind the lens.** š·
šļø **Episode 15: Surviving Manila ā A Street Photography Adventure**
**š§ Welcome to todayās episode, where I take you on a chaotic, slightly questionable, but totally unforgettable journey into the wild world of street photography in Manila.**
It all started with a bold breakfast declaration:
*"Today, I will become a street photographer."*
Armed with my camera, blind optimism, and zero actual plans, I hit the streets of Manilaā**and was immediately overwhelmed.**
š **Jeepneys honking like itās a competition**
š¢ **Vendors hustling harder than Wall Street traders**
š¦ **A guy balancing three sacks of rice while texting**
**WHERE WAS I SUPPOSED TO LOOK?**
- The sampaguita vendor closing deals like a stockbroker?
- The tragic Jollibee cup abandoned in a gutter?
- The fisherman staring into Manila Bay like it owed him money?
I had no idea what I was doing. I needed a **strategy.**
---
### **š Step One: Focus on the Small Stuff**
Experts say: **focus on handsāthey tell stories.**
So, naturally, I lurked near carinderias, snapping shots of people flipping hot pandesal, counting crumpled peso bills, and gripping jeepney handles for dear life.
And thenātrouble.
*"Boss, bakit mo kinukunan kamay ko?"*
A very unimpressed tindero, holding a half-sliced watermelon, caught me in the act. **Cue panic mode.**
I muttered something about ācapturing the poetry of daily lifeā and backed away at a **totally casual, not-guilty speed.**
---
### **š” Step Two: Chase the Light (Without Causing an Emergency)**
Inspired by **Kiribane Photography**āa technique pioneered by **Matthias Meyer**āI set out to capture light, textures, and reflections.
Except, I had no idea how.
So, I did what any confused photographer would do:
šø **Pressed my camera against jeepney windows (confused passengers stared).**
šø **Stood next to puddles for dramatic reflections (pedestrians got suspicious).**
šø **Pointed my lens at a rising column of smoke from an ihaw-ihaw stand (bad idea).**
And thatās when a **barangay tanod appeared.**
*"Boss, bakit mo kinukunan āto? May sunog ba?"*
**Second interrogation of the day.** I was one question away from **a free tour of the barangay hall.**
Lesson learned? **Chasing light is great. Accidentally staging a fire drill? Not so much.**
---
### **š² Step Three: Network Like a Pro (Or Accidentally Join a Bicycle Crew)**
Frustrated but determined, I decided to **meet local photographers.**
I posted:
*"In Manila this week! Any street photography enthusiasts want to meet up?"*
One reply:
**"Punta ka sa Escolta. May cycling crew doon."**
**Perfect.**
I arrived expecting some low-key shots. Instead, I found a **bicycle crew weaving through Divisoria like they had cheat codes for traffic.**
And then, one of them yelled: **"Kuya, gusto mo sumama?"**
**Now, letās be clear: I do NOT bike in Manila.**
But in the spirit of **street photography (and poor decision-making),** I said:
*"Sige!"*
**š² What followed was a near-death experience:**
- Dodging jeepneys ā
- Swerving past a tricycle ā
- Getting some of the best action shots of my life ā
Would I do it again? **Absolutely.**
---
### **šļø Final Takeaway: Just Show Up, and Let Manila Do the Rest**
Hereās what I learned: **You donāt find the perfect street photography momentāit finds you.**
Manila is chaotic, unpredictable, and **an absolute goldmine for storytelling.**
So whether youāre **lurking near peopleās hands (maybe donāt), getting questioned by barangay tanods (definitely donāt), or accidentally embedding yourself in a bicycle crew (highly recommended),** the key is simple:
**Keep walking. Keep looking. And if someone offers you a bike ride through Manilaā¦ maybe think twice.**
š§ **Thatās it for todayās episode! Donāt forget to subscribe, and Iāll catch you next time for more misadventures behind the lens.** š·