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Sean Derry spent the past two summers on the southside of Kachemak Bay carefully deconstructing a homesteading cabin dating from Alaska’s statehood. He has transformed the artifacts and materials from the cabin into a new collection of artworks. Sean hopes the project promotes a form of migration that lacks the injuries of colonization. “Key to this ideal is accepting the knowledge already present in a location and remaining mindful of how one’s presence alters the identity of a place. I hope that erasure of the cabin can exist as both an open investigation and an apology.” more.
Sean Derry spent the past two summers on the southside of Kachemak Bay carefully deconstructing a homesteading cabin dating from Alaska’s statehood. He has transformed the artifacts and materials from the cabin into a new collection of artworks. Sean hopes the project promotes a form of migration that lacks the injuries of colonization. “Key to this ideal is accepting the knowledge already present in a location and remaining mindful of how one’s presence alters the identity of a place. I hope that erasure of the cabin can exist as both an open investigation and an apology.” more.