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Marcy Kahan: Writers And Deadlines
'The unwritten play becomes so tantalisingly wonderful, surprising, profound: — why spoil its hypothetical brilliance by encasing it in specific words? '
The unwritten play becomes so tantalisingly wonderful, surprising, profound: — why spoil its hypothetical brilliance by encasing it in specific words? Deadlines are the best motivation ever devised to shift the play from inspiration to first draft.
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By Royal Literary Fund'The unwritten play becomes so tantalisingly wonderful, surprising, profound: — why spoil its hypothetical brilliance by encasing it in specific words? '
The unwritten play becomes so tantalisingly wonderful, surprising, profound: — why spoil its hypothetical brilliance by encasing it in specific words? Deadlines are the best motivation ever devised to shift the play from inspiration to first draft.