The swinging sixties clashes with Soviet strictness under the auspices of Marlen Khutsiev, a lesser known Russian auteur, a one-man Russian new wave. We review Ilych’s Gate (1965), its more popular re-cut I Am Twenty (1988), and its flirty follow-up July Rain (1968). Watch out for obnoxious laddish banter, not just from the boys, but from a young Andrei Tarkovsky, whose callous cameo nearly steals the show.