This week, we fire up the retroscope and revisit one of sci-fi cinema’s most iconic invasions: George Pal’s War of the Worlds (1953). From its long and winding road to production to the unforgettable cobra-headed Martian war machines, we explore how this Cold War-era classic redefined alien terror for the big screen.

You’ll hear how producer George Pal—Hollywood’s original sci-fi visionary—brought H.G. Wells’ Victorian apocalypse into postwar Southern California, swapping tripods for manta rays and existential dread for atomic-age spectacle. We break down the casting of Gene Barry as Dr. Clayton Forrester, surrounded by a rich ensemble of veteran character actors, and how their grounded performances helped sell the surreal.

We also dive into the film’s bold departures from the novel:

 And of course, we spotlight the unforgettable war machine design by art director Albert Nozaki—those sleek, levitating death-dealers with cobra-like necks and heat rays that helped the film win an Oscar for Best Visual Effects.

Highlights Include: