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When it comes to polyrhythms in jazz, one name stands out—Max Roach. This pioneer of bebop and beyond used the drum kit like a full orchestra. He played multiple rhythms simultaneously, often inverting time signatures.
Visit southcarolinapublicradio.org/rapponjazz for full transcripts.
By South Carolina Public RadioWhen it comes to polyrhythms in jazz, one name stands out—Max Roach. This pioneer of bebop and beyond used the drum kit like a full orchestra. He played multiple rhythms simultaneously, often inverting time signatures.
Visit southcarolinapublicradio.org/rapponjazz for full transcripts.