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Merce Cunningham – After the Arbitrary: A conversation with Author Carrie Noland
At Dance Education Canada we are passionate about promoting lifelong learning and professional development for dance educators. This involves picking up a good dance book and diving into the history, technique and processes of that particular virtuoso in dance. Dance Education Canada has taken the reigns and started the only dance related book club in Canada. In our inaugural year, we dive into our first book on Merce Cunningham: After the Arbitrary. We are beyond honoured to have the author here with us today. Noland’s research will allow us to plunge deep into to Cunningham’s work and see sides of his processes that might not have been so well known. It is an honour and a pleasure to have the author of Merce Cunningham: After the Arbitrary with us today, Professor Carrie Noland.
GUEST: Carrie Noland is currently Professor of French and Comparative Literature at the University of California, Irvine, and Director of the International Center for Writing and Translation. Noland is no stranger to the dance world having been a Martha Graham student for 10 years. Noland studies the interplay between technology and artistic creation from a variety of angles, moving from performance poetry to dance, from subjectivation to racialization. She is the recipient of many fellowships from foundations and societies some of which include the National Endowment of the Humanities, the American Philosophical Society and the American Council of Learned Societies.
WEBSITE: https://www.faculty.uci.edu/profile.cfm?faculty_id=2770
Disclaimer: Any and all ideas and information presented in the following podcast are those of the presenter. The presenter is not an employee or representative of Dance Education Canada (DEC), and is participating in this podcast on a voluntary basis. The ideas and information they express do not necessarily represent the views of the DEC or its partners, employees or affiliates. The ideas and information expressed herein are for general educational purposes only. They should not necessarily be applied to specific individual situations. DEC recommends consulting an expert or professional regarding specific medical, legal or business concerns. DEC makes no representations about the accuracy or suitability of this content. Please note that Canada's National Academy of Dance Education is now operating as Dance Education Canada.
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By DCAt Dance Education Canada we are passionate about promoting lifelong learning and professional development for dance educators. This involves picking up a good dance book and diving into the history, technique and processes of that particular virtuoso in dance. Dance Education Canada has taken the reigns and started the only dance related book club in Canada. In our inaugural year, we dive into our first book on Merce Cunningham: After the Arbitrary. We are beyond honoured to have the author here with us today. Noland’s research will allow us to plunge deep into to Cunningham’s work and see sides of his processes that might not have been so well known. It is an honour and a pleasure to have the author of Merce Cunningham: After the Arbitrary with us today, Professor Carrie Noland.
GUEST: Carrie Noland is currently Professor of French and Comparative Literature at the University of California, Irvine, and Director of the International Center for Writing and Translation. Noland is no stranger to the dance world having been a Martha Graham student for 10 years. Noland studies the interplay between technology and artistic creation from a variety of angles, moving from performance poetry to dance, from subjectivation to racialization. She is the recipient of many fellowships from foundations and societies some of which include the National Endowment of the Humanities, the American Philosophical Society and the American Council of Learned Societies.
WEBSITE: https://www.faculty.uci.edu/profile.cfm?faculty_id=2770
Disclaimer: Any and all ideas and information presented in the following podcast are those of the presenter. The presenter is not an employee or representative of Dance Education Canada (DEC), and is participating in this podcast on a voluntary basis. The ideas and information they express do not necessarily represent the views of the DEC or its partners, employees or affiliates. The ideas and information expressed herein are for general educational purposes only. They should not necessarily be applied to specific individual situations. DEC recommends consulting an expert or professional regarding specific medical, legal or business concerns. DEC makes no representations about the accuracy or suitability of this content. Please note that Canada's National Academy of Dance Education is now operating as Dance Education Canada.