In this episode of Movie Postmortem, I review Mercy (2026), a screen-life thriller that can’t quite decide what kind of movie it wants to be. Marketed as a cautionary AI tale, the film promises high-stakes techno-paranoia but morphs into a far more conventional action film.

I talk about why the screen-life format and AI angle feel unnecessary, how the story would function almost identically without them, and what really shocked me about the end of this film!

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