What does Once Upon a Time In Hollywood and Barbie have in common? They’re both examples of “Metamodernism." Writer M. Elizabeth Eller explains it all!

840. Metamodernism

ON THE PAGE: Join professional script consultant Pilar Alessandra as she demystifies screenwriting and answers your questions about script craft and story.

TV & Film

Emily Harris is not only an award-winning writer-director (Carmilla), she also has an amazing “day job” as the Curator of Film at the Victoria & Albert Museum.  

883. Curating a Film Career

     When writer-director GG Hawkins had access to a unique location for a limited amount of time, she “planted a flag and figured out a way to do it,”  writing, producing and directing an indi-feature called I Really Love My Husband.           

882. "Why Not Take a Big Swing?”

Filmmaker/ professor Michele Meek shares her thoughts about changing sexuality in teen films, how rom-coms often rely on a non-consent premise and about her wish that writers put their sex scenes on the page.

881. Film in the Age of Consent

From "safety nets” to “act three payoffs," Pilar goes solo to talk about what she’s learning while working with writers Story to Script.

880. Story to Script

Writer/director Hilari Scarl discusses her latest multi-media work, Not Another Deaf Story, written and performed with deaf actors on stage and on screen.

840. Metamodernism

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