Sometimes, as a director, you run into those scripts that you know you just have to do. For Michael Sladek, that script was Richard Dresser’s Below the Belt, an absurdist take on life and work in the corporate environment — … Continue reading →
Sometimes, as a director, you run into those scripts that you know you just have to do. For Michael Sladek, that script was Richard Dresser’s Below the Belt, an absurdist take on life and work in the corporate environment — … Continue reading →