
Sign up to save your podcasts
Or


Mike Isaac is a music writer and technology correspondent for The New York Times. He joins us from sunny San Francisco to discuss his recent story on the Deftones, their resurgence, and what it was like to kick it with the band as they dug through crates of vinyl at Atomic Records in Burbank, Calif. We also dive into the idea of digital streaming platforms as tech companies, exploring how Spotify and Bandcamp are the same, but wildly different. We dive into The Armed's ferocious new album, THE FUTURE IS HERE AND EVERYTHING NEEDS TO BE DESTROYED, and why this particular moment feels primed for music that lashes back against corruption and the endless flood of toxic social media slop. Finally, we get into Mike's rollercoaster of a Top 5 (songs of the moment) with heat from Teen Mortgage, Desire and Johnny Jewel, Wine Lips, The Osees, and Creed....oh yes we did.
By Yash Zadeh5
2121 ratings
Mike Isaac is a music writer and technology correspondent for The New York Times. He joins us from sunny San Francisco to discuss his recent story on the Deftones, their resurgence, and what it was like to kick it with the band as they dug through crates of vinyl at Atomic Records in Burbank, Calif. We also dive into the idea of digital streaming platforms as tech companies, exploring how Spotify and Bandcamp are the same, but wildly different. We dive into The Armed's ferocious new album, THE FUTURE IS HERE AND EVERYTHING NEEDS TO BE DESTROYED, and why this particular moment feels primed for music that lashes back against corruption and the endless flood of toxic social media slop. Finally, we get into Mike's rollercoaster of a Top 5 (songs of the moment) with heat from Teen Mortgage, Desire and Johnny Jewel, Wine Lips, The Osees, and Creed....oh yes we did.

171,968 Listeners

11,397 Listeners

677 Listeners

177 Listeners

100 Listeners

939 Listeners

220 Listeners

10,362 Listeners

971 Listeners

7,031 Listeners

204 Listeners

421 Listeners