Somewhere between documentary and fiction, Does Minari use insular storytelling to increase tension and nudge the film towards a bigger pay off? Or, how does the writer/director use his own experience to tell more than just a personal history, but something bigger about the way we all want more? Spoiler Alert :: We're breaking down one of the last movies of the film, so what the trailer doesn't already give away - we do.

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Links to content Mentioned ::

The Drone Video :: https://www.youtube.com/watch?v=RQtpGezPwLc

The Time's Article about Korean Farmers :: https://time.com/5938842/minari-korean-american-farmers/