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Cillian Murphy somehow remains looking beautiful through this deeply intense and gruelling play - first performed in 1999 by Walsh himself, we very specifically take a look at the revised/updated 2011 version which took the intimate one-person show and blew it up to National Theatre size.

We talk the victim mentality, routine as self-expression, and bootleg theatre recordings.

Have some feedback? A play you'd like us to cover?

Chat to host Nancy @N_Netherwood on various
Chat to host Sam @Samwebbercool2 on Instagram (and go find @rootlingtheatre for his puppet antics)