After spending the last two years transforming his nightmare visions of our modern age and his internal agonies into razor wire post-punk, Moby is back in the business of electronic pop music. And what has poured out of him on his 15th studio album are equally dark visions rendered with music and performances that feel softer. Like the warm cushion of a goose down pillow as it settles on your face to suffocate you.

A review by Robert Ham.

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