The sourced texts discuss the Eurocentric nature of modern art, acknowledging its historical roots in European movements while also exploring counterarguments that highlight global modernisms. They further detail how Christian religious imagery dominated earlier European art as a hegemonic force, shaping subject matter and suppressing non-Christian traditions through political, economic, and cultural control. Crucially, the sources then illuminate "stealth resistance" tactics where non-Christian and pre-Christian art forms, symbols, and beliefs subtly survived under this dominance through adaptation, coded symbolism, and oral traditions, specifically focusing on Celtic examples like the Gundestrup Cauldron and Ogham script. Finally, the texts draw a direct line from these historical forms of covert rebellion to modern anti-colonial art, exemplified by poets like Sorley MacLean, Seamus Heaney, and Liz Lochhead, showing how contemporary artists continue to use linguistic subversion, reclaimed pagan iconography, and folk magic to challenge entrenched power structures globally.

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