As U.S. poet laureate, Ada Limón has had a far-reaching impact. She has visited readers and writers across the country, installed poems at majestic sites in national parks, and she even wrote a poem that’s engraved inside a NASA spacecraft on its way to Jupiter.

Today on the show, though, our host Anna Martin talks with Limón about something more personal and intimate: What happens when writers fall hopelessly in love. She reads a Modern Love essay about a novelist whose debilitating crush on a poet gives her a bad case of writer’s block (before leaving her with a badly broken heart). Limón also tells Anna why feeling anger and grief when we’re despairing can be the path to feeling more alive, and she explains why a pair of old sweatpants belong in a love poem as much as bees and flowers do.

Ada Limón’s recent book, “You Are Here: Poetry in the Natural World” can be found here.

Lily King’s Modern Love essay, “An Empty Heart Is One That Can Be Filled” can be found here.

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Growing up, Jamie Shandro was interested in science, while her younger brother, Tim, liked art. When they were in their twenties, they both landed in Seattle: Jamie for medical school and Tim for art school. They were closer than ever. But as Jamie was finishing up a rotation in psychiatry, Tim started behaving strangely.

In this episode of Modern Love, Jamie tells the story of the frightening onset of her little brother’s mental illness and the parts of his personality and creativity that remain. Plus, she talks about how helping Tim has shaped her, as a person, and a doctor.

This episode is adapted from Jamie Shandro’s 2025 essay My Brother Has Schizophrenia. This Is How I Love Him.

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If you know one thing about Orville Peck, it’s probably that he wears a mask. The country musician has long kept himself shrouded in mystery, shielding his face from the public and revealing few details about his past. His music, however, is full of emotional honesty and vulnerability — he told the Modern Love podcast that most of his lyrics are about his life — and his songs are imbued with a deep sense of longing.

In this episode, Peck talks about why country music uniquely captures our complicated feelings about love, and why love and pain are so often intertwined. He reads a Modern Love essay, “Strung Out on Love and Checked In for Treatment” by Rachel Yoder, about love addiction, and discusses what it takes to pull yourself from its distressing grip.

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Natasha Rothwell plays characters who are constantly trying to improve and to better understand their desires. This season on “The White Lotus,” Rothwell, an Emmy-nominated actress, is back playing Belinda, a striving spa manager with dreams of becoming her own boss. Ambitions like these are relatable to Rothwell, who created and starred in her own show, “How to Die Alone.” But as she and her characters have learned, going after what you want often means changing your priorities and steering away from certain types of people.

Today on the show, Rothwell reads Jasmine Browley’s Modern Love essay, “I Decentered Men. Decentering Desire for Men Is Harder,” about the challenges and joys of putting your own needs first. And Rothwell tells Anna Martin how vision boarding has helped her center herself.

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On her fourth solo album, “Forever Is a Feeling” (out March 28), Lucy Dacus contemplates the fears and delights that go along with falling hard for someone. The song “Best Guess” celebrates the leap of faith involved in committing to a partner with the knowledge that both of you will change over time. And in another track called “Talk,” a couple realizes they’ve grown apart because they have nothing more to say to each other. 

In this episode, Dacus reads Molly Pascal’s Modern Love essay, “How the ‘Dining Dead’ Got Talking Again,” about a husband and wife who set out to bring conversation back into their marriage. And Dacus tells Anna Martin why she’s not afraid to put in the work for long-term love.

Molly Pascal’s essay can be found here.

Here’s how to submit a Modern Love essay to The New York Times.

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When Samaiya Mushtaq was growing up, she imagined marrying a kind Muslim man, and at 21, she did. But while studying to become a psychiatrist in medical school, she realized her husband couldn’t meet her emotional needs — something she deeply craved. Despite the shame she felt, she got a divorce.

In this episode, Mushtaq shares the twists and turns of her unexpected second chance at love, where service is at the center. From working in health care during the pandemic to building a family to undertaking harrowing service trips to Gaza, she found what she truly needed in a marriage — only after letting go of what she thought she wanted.

Samaiya Mushtaq’s memoir will be published by Daybreak Press next winter.

This episode was inspired by her 2023 essay, “Must We Feel Shame Over Divorce?”

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In the movie “His Three Daughters,” Carrie Coon’s character, Katie, has rigid ideas about who her sisters are and what they’re capable of. When the women reunite to care for their dying father, those ideas become a barrier to true connection and care for each other.

In this episode, Coon reads the Modern Love essay “A Family Label, Ungarbled” by Harriet Brown. Growing up, the author was never sure she could feel real love. It took breaking out of her mother’s ideas of her, and the birth of her daughter, to learn what love meant. Coon relates the essay to her own experience, describing her early dating life as tumultuous and recalling relationships she continued out of pity rather than love. Until one day, Coon got a letter from her grandmother that changed everything.

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For Kelsey McKinney, the author of the new book, “You Didn’t Hear This From Me: (Mostly) True Notes on Gossip,” spreading a good story occupied a morally gray zone throughout her childhood.

McKinney, who is also the former host of the podcast, “Normal Gossip,” talks with Modern Love’s Anna Martin about navigating the ups and downs of gossiping in her own life.

McKinney also reads the Modern Love essay “We Were a Party of Two, but Never Quite Alone” by Linda Button, who tells the story of how gossiping with her rich suitor’s exes brought the euphoria of her relationship back down to earth. While reading Button’s essay, McKinney fields questions from Martin so they can do some gossiping of their own.

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The Modern Love team asked you to share with us the moment you knew you were falling in love, and you delivered. Your stories took us to so many places — dinner dates, subway rides, sunsets, concerts — and showed us the many shapes of love. There were so many that we could not list them all.

In this episode, we listen back to your voice messages. Then, Daniel Jones, the editor of Modern Love, joins us to discuss the “36 Questions That Lead to Love” and what they reveal about how we fall in love. And Mandy Len Catron, the writer who popularized the 36 questions in her Modern Love essay, “To Fall in Love With Anyone, Do This,” reads her essay and tells us whether she’s still in love with the same man 10 years later.

Here’s how to submit a Modern Love essay to The New York Times.

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When Jacob Hoff and Samantha Greenstone met, they became instant best friends. Then, even though Jacob was gay, they realized that their feelings for each other were evolving beyond the platonic, and they decided to give romance a try.

On this episode, Hoff and Greenstone tell Anna Martin, host of “Modern Love,” how their love gave him the courage to come out to his conservative family. They also explain that when they decided to get married, they realized they’d have to get used to clarifying their commitment again and again.

You can read Jacob and Samantha’s Mini-Vows profile in the Styles section.

How to submit a Modern Love Essay to The New York Times

How to submit a Tiny Love Story

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