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A Slapstick Life is Moff Skellington’s 45th release and is a collection of tunes based around an early recording of his called “Remembering a Slapstick Life”.
The music on the release is rooted in old jazz and ragtime recordings, described by Moff as a Hal Roach fever dream.
The track entitled ” Remembering a Slapstick Life ” is a montage of recordings from the original project from 1985-90. Moff took the Picasso/ Matisse path and used only what was irreducible, so it could be termed “Atomic”.
The recordings are full of jazz ghosts and narration is delivered by Babe Handy i.e. W C Handy meets Oliver ‘ Babe ‘ Hardy, thereby consummating the marriage between jazz and slapstick. Handy’s voice might be perceived as belonging to an overweight and seedy northern comic from the early seventies.
The listener is transported to Weimar Republic Berlin where Brecht and Weill might be constructing an entertainment for the theatre. And there’s a piece of synchronicity in that Chaplin’s “The Gold Rush” had a significant impact on Brecht. Slapstick is omnipresent.
Moff has captured the music of the slapstick era wonderfully although it is heard through the prism of Eddodi – if indeed you can hear things through a prism.
This podcast introduces the album which can be acquired from German Shepherd Records on Bandcamp
By Bob OsborneA Slapstick Life is Moff Skellington’s 45th release and is a collection of tunes based around an early recording of his called “Remembering a Slapstick Life”.
The music on the release is rooted in old jazz and ragtime recordings, described by Moff as a Hal Roach fever dream.
The track entitled ” Remembering a Slapstick Life ” is a montage of recordings from the original project from 1985-90. Moff took the Picasso/ Matisse path and used only what was irreducible, so it could be termed “Atomic”.
The recordings are full of jazz ghosts and narration is delivered by Babe Handy i.e. W C Handy meets Oliver ‘ Babe ‘ Hardy, thereby consummating the marriage between jazz and slapstick. Handy’s voice might be perceived as belonging to an overweight and seedy northern comic from the early seventies.
The listener is transported to Weimar Republic Berlin where Brecht and Weill might be constructing an entertainment for the theatre. And there’s a piece of synchronicity in that Chaplin’s “The Gold Rush” had a significant impact on Brecht. Slapstick is omnipresent.
Moff has captured the music of the slapstick era wonderfully although it is heard through the prism of Eddodi – if indeed you can hear things through a prism.
This podcast introduces the album which can be acquired from German Shepherd Records on Bandcamp