More at https://www.philosophytalk.org/shows/montaigne-and-art-essay.

French thinker Michel de Montaigne invented a whole new genre in which to do philosophy: the essay. But in his use of that form, Montaigne repeatedly digresses and contradicts himself. So why did he think the essay was a good medium for philosophy? What impact did Montaigne’s invention have on his own philosophical work, and on the centuries of thought that followed? Are there particular forms of writing that help us live a more philosophical life? The philosophers live their best life with Cécile Alduy from Stanford University, author of "The Politics of Love: Poetics and Genesis of the "Amours" in Renaissance France (1549-1560)."

522: Montaigne and the Art of the Essay

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More at https://www.philosophytalk.org/shows/akan-philosophy.

The Akan people of West Africa have developed a system of metaphysics, epistemology, and moral philosophy with a special focus on personhood. For the Akan, their conception of a person is not just a matter of theoretical interest—it has far reaching practical implications for their social institutions and communal practices. So what exactly is the Akan notion of personhood, and how is it rooted in Akan traditional culture? How does the Akan emphasis on the social nature of personhood promote trust, cooperation, and a sense of responsibility to the community? And can this communal perspective help restore cultural identity in a postcolonial Africa? Josh and Ray welcome Ajume Wingo from the University of Colorado Boulder, author of "Veil Politics in Liberal Democratic States."

532: Akan Philosophy and Personhood

More at https://www.philosophytalk.org/shows/mary-wollstonecraft.

Mary Wollstonecraft is often labeled as a “liberal feminist” because of her concern for women’s rights and conceptions of freedom. But that label narrows her work, which was broadly critical of all social inequalities that distort human relations. So why did Wollstonecraft think that virtue is not truly possible unless we are all free? What did she think was key to the liberation of women? And what were her criticisms of the powerful institutions of her day, like the monarchy? Josh and Ray explore the life and thought of Mary Wollstonecraft with Sylvana Tomaselli from the University of Cambridge, author of "Wollstonecraft: Philosophy, Passion, and Politics."

Part of the "Wise Women," series generously supported by a grant from the National Endowment for the Humanities.

589: Mary Wollstonecraft

More at https://www.philosophytalk.org/shows/why-world-so-weird.

Quantum mechanics, mathematics, human consciousness.... whichever way you slice it, the universe is weird. How can our conscious minds be made from unconscious atoms? What should we make of quantum entanglement, or the fact that light can be both a particle and a wave? Why is it that there are exactly as many fractions as there are whole numbers? Josh and Ray boggle at the strangeness of it all with Eric Schwitzgebel from UC Riverside, author of "The Weirdness of the World."

588: Why Is the World So Weird?

More at https://www.philosophytalk.org/shows/what-would-kant-do.

German idealist and moral philosopher Immanuel Kant is probably best known for his "Categorical Imperative," which says that you should act following moral rules you could rationally support as universal law. In other words, do only what you would have everyone else do. But are Kant's rules really a good guide to action? Does he have anything to say about things people confront in everyday life, like friendship, manners, or gossip? Is Kant overly optimistic about our capacity to use reason and choose freely? Or was he right that rationality is the key to moral progress? Josh and Ray do right by Karen Stohr from Georgetown University, author of "Choosing Freedom: A Kantian Guide to Life."

544: What Would Kant Do?

More at https://www.philosophytalk.org/shows/shakespeares-outsiders.

Over 400 years after his death, Shakespeare is still widely regarded as the greatest dramatist of all time. His many plays tackle questions about power, influence, identity, and moral and social status. His characters—be they villains or heroes—are often disdained because of their race, religion, class, disability, or gender. So what do Shakespeare’s plays reveal about identity and status in his time? How might they shed light on who we include and who we exclude today? Could Shakespearian dramas have more in common with modern day soap operas than we think? Ray and guest-host Adrian Daub go inside with David Sterling Brown from Trinity College, author of "Shakespeare's White Others."

522: Montaigne and the Art of the Essay

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