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Christopher Tellefsen, feature film editor for over 40-plus films, and who was nominated for an Oscar for “Moneyball,” and who also cut other major films, like last year’s Oscar-nominated “Nyad,” takes David behind the scenes, most literally, as he explains his method for choosing one take over another to sew a film together; one that matches the filmmaker’s vision. Tellefsen also explains to Host Glass how the editing process works from start to finish; what his editing process and schedule are like day-to-day and gives other interesting commentary on living out the filmmaker’s intent. He also reveals the most favorite scene he ever edited: a 90s classic comedy, “Flirting with Disaster.” Tellefsen also takes a moment to share a little bit about his new project, a musical, “Atlantis,” based on music genius, Pharell Williams.
Christopher Tellefsen, feature film editor for over 40-plus films, and who was nominated for an Oscar for “Moneyball,” and who also cut other major films, like last year’s Oscar-nominated “Nyad,” takes David behind the scenes, most literally, as he explains his method for choosing one take over another to sew a film together; one that matches the filmmaker’s vision. Tellefsen also explains to Host Glass how the editing process works from start to finish; what his editing process and schedule are like day-to-day and gives other interesting commentary on living out the filmmaker’s intent. He also reveals the most favorite scene he ever edited: a 90s classic comedy, “Flirting with Disaster.” Tellefsen also takes a moment to share a little bit about his new project, a musical, “Atlantis,” based on music genius, Pharell Williams.