This episode begins with “Early in the Morning,” the song by Ned Rorem (who just turned ninety-nine). It proceeds with “Oh, What a Beautiful Mornin’.” Later on, there is “Sunday Morning,” one of the “Sea Interludes” from Britten’s opera “Peter Grimes.” Jay was not going for a morning theme. It just happened that way. There is other music too, including a hymn, both in its straightforward choral version and in an improvisation by a famous, and devoted, pianist.

Rorem, “Early in the Morning”

Rodgers & Hammerstein, “Oh, What a Beautiful Mornin’,” from “Oklahoma!”

Schoenberg, “Waldsonne”

Britten, “Sea Interlude,” “Sunday Morning,” from “Peter Grimes”

Shostakovich, Interlude No. 2, from “Lady Macbeth of Mtsensk”

Chapí, “Carceleras,” from “Las hijas del zebedeo”

Trad., “Come, Come, Ye Saints”

Johannesen, Improvisation on a Mormon Hymn

Music for a While #67: Mornings, etc.

A monthly review of the arts and intellectual life. Interviews, poetry readings, musical criticism, and more.

newcriterion.com

Arts

Literature

Performing Arts

Design

Food

Fashion & Beauty

Visual Arts

In this episode, Jay begins with a shout—“Carolina Shout,” the classic jazz number by James P. Johnson. There are songs by Schumann, Puccini, and Porter (Cole). There are piano preludes—starter pieces by their composers. At the end, there is a sunburst of calypso. Enjoy this smorgasbord.

Johnson, James P., “Carolina Shout”

Schumann, “Röseleine, Röseleine!”

Bonds, Margaret, “Young Love in Spring”

Szymanowski, Prelude in E-flat minor, Op. 1, No. 8

Gorecki, Prelude, Op. 1, No. 4

Puccini, “Bevo al tuo fresco sorriso,” from “La rondine”

Puccini, “Chi il bel sogno,” from “La rondine”

Young, Victor, arr., Evans, Bill, “When I Fall in Love”

Porter, Cole, “Don’t Fence Me In”

Tanker, André, arr., Shaw, Theron, “Morena Osha”

Music for a While #88: Shout it out

The Friends of The New Criterion recently gathered for an evening in celebration of Peter Vertacnik, whose “The Nature of Things Fragile” won the magazine’s twenty-third poetry prize. Listen to hear Peter read a number of poems from this new collection.

Peter Vertacnik reads from “The Nature of Things Fragile”

Jay has assembled a little celebration of spring: songs, arias, a symphony, a sonata. Who doesn’t want to sing spring?

Argento, “Spring,” from “Six Elizabethan Songs”
Sinding, “Rustle of Spring”
Wagner, “Du bist der Lenz,” from “Die Walküre”
Beethoven, “Spring” Sonata, Rondo
Strauss, “Herr Lenz”
Saint-Saëns, “Printemps qui commence,” from “Samson et Dalila”
Schumann, “Er ist’s”
Hoiby, “Always It’s Spring”
Wolf, “Er ist’s”
Schumann, “Spring” Symphony, first movement
Warlock, “Pretty Ring Time”

Music for a While #87: Spring forward

On March 14, the Friends and Young Friends of The New Criterion gathered at the magazine’s headquarters to hear remarks from Dr. Alexander Chula on his new book, “Goodbye, Dr. Banda: Lessons for the West From a Small African Country.”

Goodbye, Dr. Banda

Recently, Carnegie Hall hosted a John Williams gala. The program was all-Williams and the composer himself conducted most of the concert. In this episode, Jay hosts his own little Williams gala.

All by John Williams:
“The Mission”
Scherzo for Motorcycle and Orchestra from “Indiana Jones and the Last Crusade”
Olympic Fanfare and Theme
Main Title from “Catch Me If You Can”
Raiders March from “Indiana Jones and the Raiders of the Lost Ark”
Flying Theme from “E.T.”
The Imperial March, a.k.a. Darth Vader’s Theme, from “Star Wars”

Music for a While #67: Mornings, etc.

Download our free app to listen on your phone