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Harpist Ashley Jackson seeks to shatter the traditionally narrow definition of "classical music," highlight Black history and pay homage to Black composers.
Jackson, an Assistant Professor and the Director of Undergraduate Studies for the Music Department at Hunter College, views the harp as a vehicle for storytelling. In a recent performance at New York City's Lincoln Center called "Take Me To The Water," Jackson explored the role and symbolism of water in Black stories.
Her upcoming album, "Ennanga," explores the intersections between West African folk music, Black American spirituals and contemporary jazz, featuring the works of composers like William Grant Still and Alice Coltrane. It will be released on June 16 by Bright Shiny Things.
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Harpist Ashley Jackson seeks to shatter the traditionally narrow definition of "classical music," highlight Black history and pay homage to Black composers.
Jackson, an Assistant Professor and the Director of Undergraduate Studies for the Music Department at Hunter College, views the harp as a vehicle for storytelling. In a recent performance at New York City's Lincoln Center called "Take Me To The Water," Jackson explored the role and symbolism of water in Black stories.
Her upcoming album, "Ennanga," explores the intersections between West African folk music, Black American spirituals and contemporary jazz, featuring the works of composers like William Grant Still and Alice Coltrane. It will be released on June 16 by Bright Shiny Things.
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