People often wonder, “Which pieces by contemporary composers will be familiar to classical music lovers fifty… a hundred… two hundred years from now”? Well, it’s not foolproof, but one pretty good indicator is that if a piece remains unloved after fifty years, or has entirely dropped out of sight, it’s not likely to be in the standard repertoire after a hundred years. Love is in fact the key word. It’s all very well for critics to admire a composer’s theories or philosophy, or to marvel at the