From the beginning of his career, critics, scholars, and fans have attempted to define Bob Dylan’s identity. Countless interviews and biographies and even Dylan’s 2004 memoir Chronicles: Volume One include myths, half-truths, and obfuscations, leading to lingering questions. These questions are compounded by the public’s perception of him and public images of Dylan used to serve a particular agenda – most often associated with his early protest period. Indeed, public and historic figures’ identities have oft been altered, distilled, diluted, or corrupted through their representations in popular culture.  In this episode, Court Carney and I discuss his forthcoming book on Confederate general Nathan Bedford Forrest, identity construction and public memory, and how Bob Dylan’s identity has been constructed throughout his career.

Court is a cultural historian who writes on public memory. He is a full professor of history at Stephen F. Austin University where he teaches courses on Black history and American cultural history. He is the author of Cuttin Up: How Early Jazz Got America’s Ear and Reckoning with the Devil: Nathan Bedford Forrest in Myth and Memory will be released on September 17, 2024. He is the co-editor of The Politics and Power of Bob Dylan’s Live Performances, a collection of essayson Bob Dylan’s setlists and a forthcoming collection of essays reconsidering Dylan’s work in the 1980s.

A Video Version of this Episode is Available at TheFM.Club

Links:

Substack: A Song and a Mood | Court Carney | Substack

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