Torturing you to degrade myself.
This piece is a transgressive, confessional monologue that explores the porous boundaries between art and obscenity, intimacy and performance. It is erotic not just in content, but in method—sensation becomes structure, and desire drives language.
It stands in defiance of institutionalized systems of control—psychiatry, academia, patriarchy, and algorithmic morality—reclaiming the abject and grotesque as sites of power. Formally, it rejects narrative linearity in favor of recursion, looping obsessively through sensation, thought, and memory in an anti-climactic structure.
What emerges is a work that is sensual, anti-categorical, and unflinchingly honest—art as rupture, art as body, art as refusal.
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