hello again daddies and dadettes - as we continue to stagger out of our Covid-19-induced flop era we're back with a dad-approved review of The Smiths' genre-making "The Queen is Dead." by now, you know the drill: tune in for music takes but also hot takes on incel ideology, how Morissey prefigured the "I don't deserve rights" meme, Alicia Silverstone's antivax politics (and OnlyFans account), the Richard Siken bot, why Nina Dobrev sounds like a Soviet spy, and why buying Smiths CDs is like buying secondhand leather. We loved this one so much we went beyond the album with four personal favorite bonus tracks (and did plenty of Morrissey impressions along the way). enjoy!