
Sign up to save your podcasts
Or


Regular episode Season 1 1 (New) History. Part 1 - The Anglo-Saxon Path: Hardship and Faith. (Transcript added).
The artwork shows a scene from the 11th-century Bayeux Tapestry, featuring William the Conqueror at the Battle of Hastings in 1066.
The Bayeux Tapestry uses pictures to tell the story of the events leading up to the Norman conquest of England by William the Conqueror, Duke of Normandy, and his defeat of King Harold Godwinson at the Battle of Hastings in 1066.
The tapestry was made between 1067 and 1079, most likely by embroiderers in Canterbury, England, and probably for Odo, the Bishop of Bayeux.
Although it is called a tapestry, the scenes are actually embroidered, not woven, onto the linen.
It is the largest and best-preserved work of its kind from the Middle Ages. The tapestry is important not just for telling the story of the Norman invasion, but also for showing many details of medieval warfare and daily life.
Today, the tapestry is on permanent public display at the William the Conqueror Centre in Bayeux, Normandy, France.
The music is Fantasia on a Theme by Thomas Tallis.
Also called the Tallis Fantasia, this is a one-movement piece for string orchestra by English composer Ralph Vaughan Williams.
Williams based the piece on a melody by the 16th-century Tudor composer Thomas Tallis.
It was first performed at Gloucester Cathedral during the 1910 Three Choirs Festival and has since become one of the most loved works in English orchestral music.
Tallis first wrote the tune in 1567 for a Psalter commissioned by Matthew Parker, the Archbishop of Canterbury.
The tune was used for a metrical version of Psalm 2, which begins in the King James Bible, “Why do the heathen rage, and the people imagine a vain thing?”
Over four centuries, the melody moved from the English Reformation to the modern concert hall, making it a fitting choice for a story connected to England’s religious history.
Episode description.
History. Part 1 - The Anglo-Saxon Path: Hardship and Faith.
A few listeners have asked for a clear introduction to early British history, the long journey that shaped these islands into the Britain we know today.
In these two bonus episodes, we look back to explore the people, invasions, ideas, and institutions that shaped the country long before it became one nation.
We revisit familiar but often misunderstood names like the Anglo-Saxons, Vikings, Normans, the Church, and the Crown, and place them in their proper historical context.
Without this deeper background, events like the English Reformation can seem sudden or merely political, when in reality they emerged from centuries of conflict, belief, and change.
This is not just a timeline but a story of continuity, showing how earlier choices shaped later upheavals.
Through migration and conquest, as well as cooperation and rivalry, the landscapes, languages, and loyalties of Britain slowly took shape.
Britain’s history is a story of new peoples arriving and cultures clashing.
By looking more deeply, we can see how generations of events have shaped the nation we now call Great Britain.
If you’ve enjoyed the journey, let me know, or tell me what I got wrong.
Email me at [email protected]
By Shaughan HoltRegular episode Season 1 1 (New) History. Part 1 - The Anglo-Saxon Path: Hardship and Faith. (Transcript added).
The artwork shows a scene from the 11th-century Bayeux Tapestry, featuring William the Conqueror at the Battle of Hastings in 1066.
The Bayeux Tapestry uses pictures to tell the story of the events leading up to the Norman conquest of England by William the Conqueror, Duke of Normandy, and his defeat of King Harold Godwinson at the Battle of Hastings in 1066.
The tapestry was made between 1067 and 1079, most likely by embroiderers in Canterbury, England, and probably for Odo, the Bishop of Bayeux.
Although it is called a tapestry, the scenes are actually embroidered, not woven, onto the linen.
It is the largest and best-preserved work of its kind from the Middle Ages. The tapestry is important not just for telling the story of the Norman invasion, but also for showing many details of medieval warfare and daily life.
Today, the tapestry is on permanent public display at the William the Conqueror Centre in Bayeux, Normandy, France.
The music is Fantasia on a Theme by Thomas Tallis.
Also called the Tallis Fantasia, this is a one-movement piece for string orchestra by English composer Ralph Vaughan Williams.
Williams based the piece on a melody by the 16th-century Tudor composer Thomas Tallis.
It was first performed at Gloucester Cathedral during the 1910 Three Choirs Festival and has since become one of the most loved works in English orchestral music.
Tallis first wrote the tune in 1567 for a Psalter commissioned by Matthew Parker, the Archbishop of Canterbury.
The tune was used for a metrical version of Psalm 2, which begins in the King James Bible, “Why do the heathen rage, and the people imagine a vain thing?”
Over four centuries, the melody moved from the English Reformation to the modern concert hall, making it a fitting choice for a story connected to England’s religious history.
Episode description.
History. Part 1 - The Anglo-Saxon Path: Hardship and Faith.
A few listeners have asked for a clear introduction to early British history, the long journey that shaped these islands into the Britain we know today.
In these two bonus episodes, we look back to explore the people, invasions, ideas, and institutions that shaped the country long before it became one nation.
We revisit familiar but often misunderstood names like the Anglo-Saxons, Vikings, Normans, the Church, and the Crown, and place them in their proper historical context.
Without this deeper background, events like the English Reformation can seem sudden or merely political, when in reality they emerged from centuries of conflict, belief, and change.
This is not just a timeline but a story of continuity, showing how earlier choices shaped later upheavals.
Through migration and conquest, as well as cooperation and rivalry, the landscapes, languages, and loyalties of Britain slowly took shape.
Britain’s history is a story of new peoples arriving and cultures clashing.
By looking more deeply, we can see how generations of events have shaped the nation we now call Great Britain.
If you’ve enjoyed the journey, let me know, or tell me what I got wrong.
Email me at [email protected]