Jared’s research into Mortuus Messis continues to take unexpected turns as he reflects on his genealogical request for Temara Corelli and Dahlia Fleming, which has yet to yield results, and his growing frustration with the research process. He also shares a surprising discovery about Dahlia Fleming’s musical background, revealing that she was not only an opera singer but also deeply involved in Arabic maqam music, an unusual and intricate form of traditional vocal improvisation.

Jared’s conversation with Professor Cortez uncovers more personal details about Dahlia's life, including her immigrant background and her eventual embrace of her Iranian roots through maqam singing. This revelation adds new depth to her character and raises questions about her connection to the opera's occult themes.