
Sign up to save your podcasts
Or


In episode 3 of The Classic! Pod, we’re talking about new music: what it is, why people are sometimes scared of it, and why “modern” classical music somehow still often means Schoenberg — despite the fact that Schoenberg is now over 100 years old.There are also detours into seeing elephants, smelling elephants, Mahler titles, whether anyone writes symphonies anymore, and the eternal question of how to get people to come back for the second performance of a new piece. Plus, our recommendations of the week: Mentor from the London Choral Sinfonia and Michael Waldron, and Iberia from the Royal Liverpool Philharmonic Orchestra and Domingo Hindoyan.
By Jonathan WhitingIn episode 3 of The Classic! Pod, we’re talking about new music: what it is, why people are sometimes scared of it, and why “modern” classical music somehow still often means Schoenberg — despite the fact that Schoenberg is now over 100 years old.There are also detours into seeing elephants, smelling elephants, Mahler titles, whether anyone writes symphonies anymore, and the eternal question of how to get people to come back for the second performance of a new piece. Plus, our recommendations of the week: Mentor from the London Choral Sinfonia and Michael Waldron, and Iberia from the Royal Liverpool Philharmonic Orchestra and Domingo Hindoyan.