New Realities with Alan Steinfeld

Disclosure Day, Higher Frequencies, and the Threshold of a New Human Reality

Guests, Dr. J.J. Hurtak and Dr. Desiree Hurtak, Linda Moulton Howe

Spielberg’s Disclosure Day Opens a Bigger Conversation

In this episode of New Realities, host Alan Steinfeld gathers a panel to review Steven Spielberg’s newly released film Disclosure Day. Alan is joined by longtime UFO investigator Linda Moulton Howe, along with Dr. J.J. Hurtak and Dr. Desiree Hurtak, who bring perspectives from UFO research, consciousness studies, spirituality, ancient texts, and the wider disclosure movement. Alan frames the film as perhaps one of the most anticipated cinematic events in modern UFO culture, because it deals not simply with science fiction, but with the possibility that humanity is being prepared for a deeper truth about non-human intelligence.

Frequencies, Clicking Sounds, and Consciousness Communication

Linda Moulton Howe begins by emphasizing the importance of frequency in the film. She connects Spielberg’s use of clicking sounds and nonverbal communication to government documents, abduction cases, and reports she has heard from experiencers over decades of research. Dr. J.J. Hurtak also highlights the film’s treatment of language, sound, and consciousness, contrasting it with Close Encounters of the Third Kind, where communication was centered more on tones and music. In Disclosure Day, the panel says Spielberg brings in the human element more fully, suggesting that extraterrestrial contact may involve mind-to-mind communication, frequency, empathy, and higher consciousness rather than ordinary speech alone.

From Science Fiction to a Disclosure Bridge

Alan and the panel repeatedly stress that they do not see Disclosure Day as merely another science fiction movie. They argue that Spielberg has gathered decades of UFO, UAP, consciousness, government secrecy, telepathy, cover-up, and experiencer material into a film that functions as a bridge between old disbelief and a new cultural acceptance. Alan says Spielberg seems to have been a serious student of the phenomenon, including many familiar themes from UFO research: government secrecy, private industry involvement, recovered craft, mind control, empathy, and the question of whether the public has a right to know.

Government, Corporations, and the Machinery of Secrecy

A major part of the discussion focuses on the film’s depiction of government secrecy and private industry. Alan references the fictional corporation Wardex, which is tied to retrieval and extraction programs, and connects that to real-world claims associated with figures such as Lieutenant Colonel Philip J. Corso. Linda and the Hurtaks discuss how governments may have transferred recovered technologies or sensitive programs into corporate hands to create plausible deniability. Linda traces this secrecy back to World War II and Eisenhower-era briefings, while Alan says the film dramatizes the tension between those who hide the truth and those who believe humanity has a right to know.

Fear, Love, and the Human Right to the Truth

The panel describes the film as a contest between fear-based secrecy and the higher message of empathy, love, and transcendence. Alan says humanity is caught between fear and higher consciousness, and that the film presents empathy as a key to humanity’s future. Linda is especially moved by the final minutes, saying she felt empathy not only for extraterrestrials but also for humanity, because people have not been told the truth as a species. The panel agrees that disclosure should not merely be informational; it should be transformational, helping humans understand themselves as part of a larger cosmic family.

Religion, Creation, and the Many Mansions of the Universe

The film’s spiritual themes are also central to the panel’s review. Alan, Linda, and the Hurtaks discuss the Catholic sister character in the film, who recognizes that the universe is too vast to exist only for humanity. They connect this idea to the Book of Genesis, Christ consciousness, the New Testament phrase about “many mansions,” ancient Coptic and Greek texts, and the idea that creation includes many levels of life and intelligence. Rather than seeing extraterrestrial intelligence as opposed to spirituality, the panel presents it as part of a larger divine creation story in which humanity must expand its understanding of soul, consciousness, and cosmic purpose.

What Spielberg Shows — and What He Leaves for Later

The group praises Spielberg’s restraint but also discusses what the film does not fully show. Linda says she wished Spielberg had introduced more kinds of non-human intelligences, including tall whites, Nordics, reptilians, plasma beings, and other forms she has encountered through witness testimony. Alan suggests Spielberg may be taking the public slowly by first introducing one or two categories of extraterrestrial presence before expanding into a wider range of beings. The panel agrees that the film is likely only the beginning of a broader cultural process and that future films, government releases, or public disclosures may reveal a more complicated landscape.

Disclosure, Timing, and a Planet Under Pressure

The panel repeatedly asks why this film and this moment are happening now. Linda suggests the timing may relate to future geophysical changes, solar activity, rising oceans, environmental instability, and the possibility that extraterrestrial assistance may become necessary for humanity’s survival. Alan connects the timing to recent government disclosures and the public release of UFO/UAP information, while Dr. J.J. Hurtak frames the moment as a sociological, psychological, economic, planetary, and spiritual convergence. The group agrees that humanity is being prepared for contact because the old reality is no longer sufficient.

The Soul, Empathy, and the Next Stage of Humanity

A major theme in the latter part of the program is the soul. Linda shares memories from childhood of feeling a protective pressure in her chest while looking at an image of Christ with lambs, a feeling she still associates with soul, protection, and love. Dr. J.J. Hurtak describes the soul as the inner architecture of life, a field of consciousness that continues beyond the body. Dr. Desiree Hurtak adds that different beings may have different levels of soul evolution, and that humanity is learning to access abilities such as remote viewing, telepathy, and higher-dimensional awareness. Alan says these gifts of the spirit may allow humans to meet non-human intelligences on a more equal footing.

“Listen”: The Word at the Doorway

The panel gives special attention to the film’s final message: listen. They interpret the word as a call to listen to extraterrestrials, higher intelligence, divine purpose, inner senses, compassion, and one another. For Dr. J.J. Hurtak, this connects to sacred language and the ancient call to hear the divine frequency. Alan sees Spielberg’s film as a “signifying agent,” a cultural bridge that helps people move from an old reality into new realities. The episode closes with a shared prayer from Linda, “May the thought that dwells in the light protect us forever,” followed by Alan’s disclosure-themed song, “Did You See It?”, which he presents as an anthem for this new moment.