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Nina Wakeford | A Piece of Land: Alternative communities and living
Nina Wakeford | A Piece of Land: Alternative communities and living
Saturday 27 May 2017
An afternoon of presentations considering alternative structures of collective living and models of domestic life.
Fran Cottell and her daughter Maisie Richards Cottell will discuss 'House Projects' (2001 - present); a series of architectural installations built in the artists' home, a former cemetery lodge in Greenwich. A screening of It Takes a Million Years to be a Woman (2010-14), a film documenting Sisters of Jam's ongoing interdisciplinary art project about Millett Farm; an art colony founded in 1978 by feminist author Kate Millett in Poughkeepsie, USA. Nina Wakeford presents an apprenticeship in queer I believe it was, a performance with 16mm film exploring the capacity of Greenham Common to transform the identities of those who lived there.
Nina Wakeford is an artist and sociologist, and is Reader in Sociology at Goldsmiths. As an artist she makes work that begins with the unfinished business of past social movements, and the challenges of revisiting the energies that these movements created. Recently, drawing on a personal collection of feminist materials from the 1970s and 1980s, Nina has made a series of film and performance works that involve singing as a way of attaching herself to objects or images. She is the co-editor of Inventive Methods: The Happening of the Social (Routledge, 2012) which explores, amongst other things, how research might better work with openness and ambiguity. Her performances have been shown at BFI, ICA and the Wellcome Collection.
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Presented as part of the exhibition '56 Artillery Lane' at Raven Row.
For this exhibition ‘home’ is imagined as a space for social, sexual and political agency, and the 'domestic’ as a stage on which kinship and self are formed and transformed through acts of love, cruelty and indifference.
A group of works from the recent past and present has been gathered for 56 Artillery Lane alongside a weekly live programme. Participants in 56 Artillery Lane include Chantal Akerman, Ego Ahaiwe Sowinski, Soofiya Andry, Dr Meg-John Barker, Khairani Barokka, Pandora Blake, Phoebe Blatton, Jenna Bliss, Rizvana Bradley, Daniel Brathwaite-Shirley, Ben Burgis & Ksenia Pedan, Autumn Chacon, Channels, Adam Christensen, Fiona Clark, Lucy Clout, Fran Cottell, Phoebe Davies & Nandi Bhebhe, Jemma Desai, Fenixº, Alex Fleming, Keira Fox, Richard Fung, Harry Giles, Carry Gorney, Alice Hattrick, Candice Hopkins, Juliet Jacques, Nazmia Jamal (Sisters Uncut), Alice Jones, Jacob V Joyce, Bhanu Kapil, Morag Keil & Georgie Nettell, Sarah Kent, Las Nietas de Nonó, Gail Lewis, Rudy Loewe, Suzy Mackie (See Red Women's Workshop), Hamish MacPherson, Mira Mattar, Zinzi Minott, Merata Mita, Irenosen Okojie, Lucy Orta, Meera Osborne, Maria Pinińska-Bereś, Ingrid Pollard, Steve Reinke, Su Richardson, Christine Roche, RUSS, Stanley Spencer, Barbara T. Smith, Martine Syms, Anna Szaflarski, Nina Wakeford, Kate Walker, Darcy Wallace, Ed Webb-Ingall, Ria Wilson, Anicka Yi and Rehana Zaman.
The exhibition is curated by Amy Budd and Naomi Pearce, with input from Amy Ball, Gail Chester, Althea Greenan, Lucie Kinchin, Alexandra Kokoli, Imogen and Catriona Laing, Robert Leckie, Suzy Mackie, Sue Madden, Bernard G Mills, Ciara Moloney, Sofía Gallisá Muriente, Su Richardson, Alex Sainsbury, Amy Tobin, Mercedes Vicente and Ed Webb-Ingall.
Please see our website for more details: www.ravenrow.org
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By Raven RowNina Wakeford | A Piece of Land: Alternative communities and living
Saturday 27 May 2017
An afternoon of presentations considering alternative structures of collective living and models of domestic life.
Fran Cottell and her daughter Maisie Richards Cottell will discuss 'House Projects' (2001 - present); a series of architectural installations built in the artists' home, a former cemetery lodge in Greenwich. A screening of It Takes a Million Years to be a Woman (2010-14), a film documenting Sisters of Jam's ongoing interdisciplinary art project about Millett Farm; an art colony founded in 1978 by feminist author Kate Millett in Poughkeepsie, USA. Nina Wakeford presents an apprenticeship in queer I believe it was, a performance with 16mm film exploring the capacity of Greenham Common to transform the identities of those who lived there.
Nina Wakeford is an artist and sociologist, and is Reader in Sociology at Goldsmiths. As an artist she makes work that begins with the unfinished business of past social movements, and the challenges of revisiting the energies that these movements created. Recently, drawing on a personal collection of feminist materials from the 1970s and 1980s, Nina has made a series of film and performance works that involve singing as a way of attaching herself to objects or images. She is the co-editor of Inventive Methods: The Happening of the Social (Routledge, 2012) which explores, amongst other things, how research might better work with openness and ambiguity. Her performances have been shown at BFI, ICA and the Wellcome Collection.
---
Presented as part of the exhibition '56 Artillery Lane' at Raven Row.
For this exhibition ‘home’ is imagined as a space for social, sexual and political agency, and the 'domestic’ as a stage on which kinship and self are formed and transformed through acts of love, cruelty and indifference.
A group of works from the recent past and present has been gathered for 56 Artillery Lane alongside a weekly live programme. Participants in 56 Artillery Lane include Chantal Akerman, Ego Ahaiwe Sowinski, Soofiya Andry, Dr Meg-John Barker, Khairani Barokka, Pandora Blake, Phoebe Blatton, Jenna Bliss, Rizvana Bradley, Daniel Brathwaite-Shirley, Ben Burgis & Ksenia Pedan, Autumn Chacon, Channels, Adam Christensen, Fiona Clark, Lucy Clout, Fran Cottell, Phoebe Davies & Nandi Bhebhe, Jemma Desai, Fenixº, Alex Fleming, Keira Fox, Richard Fung, Harry Giles, Carry Gorney, Alice Hattrick, Candice Hopkins, Juliet Jacques, Nazmia Jamal (Sisters Uncut), Alice Jones, Jacob V Joyce, Bhanu Kapil, Morag Keil & Georgie Nettell, Sarah Kent, Las Nietas de Nonó, Gail Lewis, Rudy Loewe, Suzy Mackie (See Red Women's Workshop), Hamish MacPherson, Mira Mattar, Zinzi Minott, Merata Mita, Irenosen Okojie, Lucy Orta, Meera Osborne, Maria Pinińska-Bereś, Ingrid Pollard, Steve Reinke, Su Richardson, Christine Roche, RUSS, Stanley Spencer, Barbara T. Smith, Martine Syms, Anna Szaflarski, Nina Wakeford, Kate Walker, Darcy Wallace, Ed Webb-Ingall, Ria Wilson, Anicka Yi and Rehana Zaman.
The exhibition is curated by Amy Budd and Naomi Pearce, with input from Amy Ball, Gail Chester, Althea Greenan, Lucie Kinchin, Alexandra Kokoli, Imogen and Catriona Laing, Robert Leckie, Suzy Mackie, Sue Madden, Bernard G Mills, Ciara Moloney, Sofía Gallisá Muriente, Su Richardson, Alex Sainsbury, Amy Tobin, Mercedes Vicente and Ed Webb-Ingall.
Please see our website for more details: www.ravenrow.org