"The heavy drumming and urgent voices in the recording immediately captured my attention. Following the rhythm of the recorded percussion I built sounds, that felt poignant and appropriate, around the initial groove and pitches inherent in the chanting voices. As a 'protest song' I felt that Dub and Reggae influences were relevant, and added charisma to the piece. I hope that I have captured something of the feelings of justified anger, sadness and hope that I drew from the source recording."

SOAS protest in London reimagined by dead kousin.