
Sign up to save your podcasts
Or
For the second part of our interview, director/writer/critic/translator/photographer Norman England tells us all about the art of subtitling, working with Takashi Miike on the film Yakuza Apocalypse, his time working with Sushi Typhoon, being an American film critic in Japan, Japan's treatment of foreigners, the Japanese film industry, why he isn't currently directing another film, and the amount of effort that goes into making a movie. We also touch on Star Trek, Planet of the Apes, and the time Norman found a rare Son of Godzilla poster tacked to a wall in the middle of nowhere!
3.9
7777 ratings
For the second part of our interview, director/writer/critic/translator/photographer Norman England tells us all about the art of subtitling, working with Takashi Miike on the film Yakuza Apocalypse, his time working with Sushi Typhoon, being an American film critic in Japan, Japan's treatment of foreigners, the Japanese film industry, why he isn't currently directing another film, and the amount of effort that goes into making a movie. We also touch on Star Trek, Planet of the Apes, and the time Norman found a rare Son of Godzilla poster tacked to a wall in the middle of nowhere!
154 Listeners
462 Listeners
77 Listeners
82 Listeners
46 Listeners
21 Listeners
34 Listeners
26 Listeners
29 Listeners
9 Listeners
23 Listeners
16 Listeners
50 Listeners
17 Listeners
9 Listeners