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For the second part of our interview, director/writer/critic/translator/photographer Norman England tells us all about the art of subtitling, working with Takashi Miike on the film Yakuza Apocalypse, his time working with Sushi Typhoon, being an American film critic in Japan, Japan's treatment of foreigners, the Japanese film industry, why he isn't currently directing another film, and the amount of effort that goes into making a movie. We also touch on Star Trek, Planet of the Apes, and the time Norman found a rare Son of Godzilla poster tacked to a wall in the middle of nowhere!
3.9
7474 ratings
For the second part of our interview, director/writer/critic/translator/photographer Norman England tells us all about the art of subtitling, working with Takashi Miike on the film Yakuza Apocalypse, his time working with Sushi Typhoon, being an American film critic in Japan, Japan's treatment of foreigners, the Japanese film industry, why he isn't currently directing another film, and the amount of effort that goes into making a movie. We also touch on Star Trek, Planet of the Apes, and the time Norman found a rare Son of Godzilla poster tacked to a wall in the middle of nowhere!
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