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Standing at six feet tall, the sculpture “Nullius in Verba III” is intentionally the same height and weight as its sculptor, Steaphan Paton. The metal, diamond-shaped shield, mounted on a long pole, confronts the viewer. The shield’s surface is scratched, evoking the centuries of violence and dispossession faced by Paton’s ancestors. Among closer inspection, however, the sculpture is made from modern materials, asserting that this violence against Indigenous Australians is not an historic anecdote but a contemporary issue.
By Kluge-Ruhe Aboriginal Art Collection and The Virginia Audio Collective5
22 ratings
Standing at six feet tall, the sculpture “Nullius in Verba III” is intentionally the same height and weight as its sculptor, Steaphan Paton. The metal, diamond-shaped shield, mounted on a long pole, confronts the viewer. The shield’s surface is scratched, evoking the centuries of violence and dispossession faced by Paton’s ancestors. Among closer inspection, however, the sculpture is made from modern materials, asserting that this violence against Indigenous Australians is not an historic anecdote but a contemporary issue.