The Whoopi Goldberg movie Sister Act has been made into a new Broadway musical. Rossini's Le Comte Ory, now being performed at the Met Opera, features a group of men disguised as nuns. And nuns get spoofed in every imaginable fashion in Charles Busch's new comedy The Divine Sister. Does this trend represent a new sensibility for portraying religion on the great white way or is it merely a coincidence? Charles Isherwood of the New York Times joins Jeff Spurgeon in the studio to find out why so many are getting back in the habit.