A Conversation for RMST 202. With Gaoheng Zhang (UBC) and Jon Beasley-Murray.00:00 Introduction00:51 Between Freud and Marx03:53 Neorealism and Narrative06:19 Danger and Coming of Age10:26 Temporality and Disruption14:23 What Next? Telling and Showing18:00 Credits#rmst202 #romancestudies <a href="http://rmst202.arts.ubc.ca" target="_blank" rel="ugc noopener noreferrer">http://rmst202.arts.ubc.ca</a>

A Conversation for RMST 202. With Gaoheng Zhang (UBC) and Jon Beasley-Murray. 00:00 Introduction00:51 Between Freud and Marx03:53 Neorealism and Narrative06:19 Danger and Coming of Age10:26 Temporality and Disruption14:23 What Next? Telling and Showing18:00 Credits #rmst202 #romancestudies http://rmst202.arts.ubc.ca

A Conversation for RMST 202. With Gaoheng Zhang (UBC) and Jon Beasley-Murray.00:00 Introduction00:51 Between Freud and Marx03:53 Neorealism and Narrative06:19 Danger and Coming of Age10:26 Temporality and Disruption14:23 What Next? Telling and Showing18:00 Credits#rmst202 #romancestudies <a href="http://rmst202.arts.ubc.ca" rel="noopener noreferrer">http://rmst202.arts.ubc.ca</a>

On Alberto Moravia, Agostino

This channel showcases teaching and research in Romance Studies, to generate conversation and discussion about the field and about texts written in the Romance languages. We welcome feedback.

It is also a place for Open Educational Resources produced as part of the teaching of Romance Studies at the University of British Columbia, though it does not claim to speak for or represent the university or its program in Romance Studies.

Education

This channel showcases teaching and research in Romance Studies, to generate conversation and discussion about the field and about texts written in the Romance languages. We welcome feedback. It is also a place for Open Educational Resources produced as part of the teaching of Romance Studies at the University of British Columbia, though it does not claim to speak for or represent the university or its program in Romance Studies.

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On Alberto Moravia, Agostino

On Alberto Moravia, Agostino