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Today on Clay in Color, we chat with Karla Ekatherine Canseco. She creates grotesque sculptures that explore identity, home, and the body. In our interview, we talk about the Xoloitzcuintle (hairless dog) as a guide in Mexican mythology and in her personal life, ideas of return and nostalgia, and using and reusing matter as a signifier of sentimentality and the different moments of time. We also discuss her work as a sum of parts, and its existence in the tension between solidity and the verge of collapse.
By Angelik Vizcarrondo-Laboy and Alex Anderson5
1111 ratings
Today on Clay in Color, we chat with Karla Ekatherine Canseco. She creates grotesque sculptures that explore identity, home, and the body. In our interview, we talk about the Xoloitzcuintle (hairless dog) as a guide in Mexican mythology and in her personal life, ideas of return and nostalgia, and using and reusing matter as a signifier of sentimentality and the different moments of time. We also discuss her work as a sum of parts, and its existence in the tension between solidity and the verge of collapse.

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