In this episode, Gill Gregory talks with us about the poem that has been a friend to her – 'On the Departure Platform' by Thomas Hardy.
Gill joined The Poetry Exchange at the National Centre for Writing in Norwich. We are hugely grateful to the National Centre for Writing for hosting us so warmly, and to all the readers who visited us there.
Andrea is in conversation with The Poetry Exchange hosts, Fiona Bennett and Michael Shaeffer.
The 'gift' reading of 'On the Departure Platform' is by Michael Shaeffer.
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On the Departure Platform by Thomas Hardy
We kissed at the barrier; and passing through She left me, and moment by moment got Smaller and smaller, until to my view                She was but a spot;
A wee white spot of muslin fluff That down the diminishing platform bore Through hustling crowds of gentle and rough               To the carriage door.
Under the lamplight’s fitful glowers, Behind dark groups from far and near, Whose interests were apart from ours,                 She would disappear,
Then show again, till I ceased to see That flexible form, that nebulous white; And she who was more than my life to me                 Had vanished quite.
We have penned new plans since that fair fond day, And in season she will appear again— Perhaps in the same soft white array—                 But never as then !
—‘And why, young man, must eternally fly A joy you’ll repeat, if you love her well ?’ —O friend, nought happens twice thus ; why,                 I cannot tell! Hosted on Acast. See acast.com/privacy for more information.

66. On The Departure Platform - A Friend to Gill

The Poetry Exchange talks to people about the poem that has been a friend to them. In each episode you will hear our guest talking about their chosen poem and the part it has played in their life, as well as a recording of the poem that we make as a gift for them. Our podcast features conversations with people from all walks of life, as well as a range of special guests. Join us to discover the power of poetry in people’s lives. Silver Award Winner for Most Original Podcast at the British Podcast Awards 2018. Hosted on Acast. See acast.com/privacy for more information.

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In this episode, our hearts are full as we are joined by the glorious poet Imtiaz Dharker, talking about the poem that has been a friend to her: 'Meeting Point' by Louis MacNeice.
We are also thrilled to say that this episode will be with you in the month that Poems as Friends - The Poetry Exchange 10th Anniversary Anthology is published - on 9th May 2024. We are hugely grateful to everyone who has contributed poems and stories to its pages, and to all of you for your support and love for The Poetry Exchange over the last 10 years.
Imtiaz Dharker is one of the leading and most widely respected poets of our age. "Reading her, one feels that were there to be a World Laureate, Imtiaz Dharker would be the only candidate." - Carol Ann Duffy. Imtiaz Dharker grew up a 'Muslim Calvinist' in a Lahori household in Glasgow, was adopted by India and married into Wales. She was awarded the Queen's Gold Medal for Poetry in 2014. Her main themes are drawn from a life of transitions: childhood, exile, journeying, home, displacement, religious strife and terror, and latterly, grief.
On 23rd May 2024, Imtiaz's latest collection Shadow Reader is published by Bloodaxe Books. Shadow Reader is a radiant criss-cross of encounters, messages and Punjabi proverbs, shot through with the dark thread of an unwelcome prophecy. 
We are so delighted to share this conversation with you in the month that Shadow Reader - and our anthology of Poems as Friends - join us in the world.
Imtiaz Dharker is in conversation with Fiona Bennett and Roy McFarlane.
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Meeting Point by Louis MacNeice
Time was away and somewhere else, There were two glasses and two chairs And two people with the one pulse (Somebody stopped the moving stairs): Time was away and somewhere else.
And they were neither up nor down; The stream’s music did not stop Flowing through heather, limpid brown, Although they sat in a coffee shop And they were neither up nor down.
The bell was silent in the air Holding its inverted poise— Between the clang and clang a flower, A brazen calyx of no noise: The bell was silent in the air.
The camels crossed the miles of sand That stretched around the cups and plates; The desert was their own, they planned To portion out the stars and dates: The camels crossed the miles of sand.
Time was away and somewhere else. The waiter did not come, the clock Forgot them and the radio waltz Came out like water from a rock: Time was away and somewhere else.
Her fingers flicked away the ash That bloomed again in tropic trees: Not caring if the markets crash When they had forests such as these, Her fingers flicked away the ash.
God or whatever means the Good Be praised that time can stop like this, That what the heart has understood Can verify in the body’s peace God or whatever means the Good.
Time was away and she was here And life no longer what it was, The bell was silent in the air And all the room one glow because Time was away and she was here.
© 1967 by Louis MacNeice. Reproduced with permission of David Higham Associates, Ltd. Hosted on Acast. See acast.com/privacy for more information.

92. Meeting Point by Louis MacNeice - A Friend to Imtiaz Dharker

In this episode of The Poetry Exchange, we talk with one of poetry's greatest leading lights, Malika Booker, about the poem that has been a friend to her: ‘The Domestic Science of Sunday Dinner’ by Lorna Goodison.
Malika Booker, currently based in Leeds, is a lecturer at Manchester Metropolitan University, a British poet of Guyanese and Grenadian Parentage, and co-founder of Malika’s Poetry Kitchen (A writer’s collective). Her pamphlet Breadfruit, (flippedeye, 2007) received a Poetry Society recommendation and her poetry collection Pepper Seed (Peepal Tree Press, 2013) was shortlisted for the OCM Bocas prize and the Seamus Heaney Centre 2014 prize for first full collection. She is published with the Poets Sharon Olds and Warsan Shire in The Penguin Modern Poet Series 3: Your Family: Your Body (2017). A Cave Canem Fellow, and inaugural Poet in Residence at The Royal Shakespeare Company, Malika was awarded the Cholmondeley Award (2019) for outstanding contribution to poetry and elected a Royal Society of Literature Fellow (2022).
Malika has won the Forward Prize for Best Single Poem TWICE: in 2020 for 'The Little Miracles' (Magma, 2019), and most recently in 2023 for 'Libation', which you can hear her read in this episode.
'Libation' was first published in The Poetry Review (112:4). 
‘The Domestic Science of Sunday Dinner’ by Lorna Goodison is published in Turn Thanks by Lorna Goodison, University of Illinois Press, 1999.
You can read the full text of ‘The Domestic Science of Sunday Dinner’ on our website.
This episode closes with a reading of the poem 'Su Casa' by Andrea Witzke Slot, published in her collection 'The Ministry of Flowers' (Valley Press, 2020).
P.S. don’t forget you can pre-order your copy of Poems as Friends – The Poetry Exchange 10th Anniversary Anthology – which is published by Quercus Editions on 9th May 2024. Hosted on Acast. See acast.com/privacy for more information.

91. The Domestic Science of Sunday Dinner by Lorna Goodison - A Friend to Malika Booker

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In this special episode, we honour the poetry legend that is Benjamin Zephaniah by sharing this conversation with poet Roy McFarlane, talking about 'Dis Poetry' and the hugely influential part Benjamin Zephaniah has played in Roy's life.
Roy McFarlane is a poet born in Birmingham of Jamaican parentage. He has held the roles of Birmingham’s Poet Laureate, Starbucks’ Poet in Residence and Birmingham & Midland Institute’s Poet in Residence. He has three collections published by Nine Arches Press: Beginning With Your Last Breath (2016); The Healing Next Time (2018), which was shortlisted for the Ted Hughes Award, and Living By Troubled Waters (2022). In 2023, Roy McFarlane was appointed a Fellow of the Royal Society of Literature.
Benjamin Obadiah Iqbal Zephaniah (15 April 1958 – 7 December 2023) was a British writer, dub poet, actor, musician and professor of poetry and creative writing. He was included in The Times’ list of Britain's top 50 post-war writers in 2008 and was probably the most televised poet of his generation in the UK. His down-to-earth mission to take poetry wherever he could – and especially to those who would not normally read it – led him to being known to millions as ‘The People’s Poet. Zephaniah was revolutionary in bringing his Jamaican voice, speech and heritage into poetry – both on the page and in performance – opening up doors for many poets to come. A lifelong activist, Zephaniah’s wrote about his lived experiences of incarceration and racism, and was a radical voice for freedom, equality and humanity around the world.  
The recording of 'Dis Poetry', performed by Benjamin Zephaniah, is taken from To Do Wid Me - a 2013 film portrait of Benjamin Zephaniah by Pamela Robertson-Pearce drawing on both live performances and informal interviews. The film and accompanying Selected Poems are available from Bloodaxe Books: https://www.bloodaxebooks.com/ecs/product/to-do-wid-me-dvd-book--1038.
Roy McFarlane's extraordinary poem 'In the city of a hundred tongues' is taken from his collection The Healing Next Time, published by Nine Arches Press in 2018.
Roy McFarlane is in conversation with Fiona Bennett and Michael Shaeffer.
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Dis Poetry by Benjamin Zephaniah
Dis poetry is like a riddim dat drops De tongue fires a riddim dat shoots like shots Dis poetry is designed fe rantin Dance hall style, big mouth chanting, Dis poetry nar put yu to sleep Preaching follow me Like yu is blind sheep, Dis poetry is not Party Political Not designed fe dose who are critical. Dis poetry is wid me when I gu to me bed It gets into me dreadlocks It lingers around me head Dis poetry goes wid me as I pedal me bike I've tried Shakespeare, respect due dere But did is de stuff I like.
Read the full poem on our website. Hosted on Acast. See acast.com/privacy for more information.

90. Dis Poetry by Benjamin Zephaniah - A Friend to Roy McFarlane

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In this very special episode of The Poetry Exchange podcast, journalist, writer and editor Simon Crompton talks about the poem that has been a friend to him: 'The Thrush' by Edward Thomas.
This episode is dedicated to a dear friend of Simon and of The Poetry Exchange - the extraordinary Martin Heaney - who sadly died at the end of 2023. Martin has been a touchstone of The Poetry Exchange from the outset, bringing his deep passion for poetry and his belief in the central importance of friendship to our lives to our work over the years. We are eternally grateful to Martin for being such a beautiful, inspirational and joyful friend.
Simon Crompton is a journalist, writer, editor and communications consultant specialising in health and social affairs. He wrote for The Times for over 20 years, also working as the health editor of the newspaper’s Body&Soul; section. He has edited many publications in the fields of health and social work and contributes regularly to the international Cancer World magazine. Throughout his career he has provided consultancy to a wide range of voluntary and statutory organisations working for patient and public welfare. Having written three non-fiction books, he is now focusing on writing fiction.
Martin Heaney's podcast is Chatty Guy Talks Cancer Care and Hope (you can hear Martin in conversation with Simon Crompton on one of the early episodes).
You can listen to Martin talk about the poem that's been a friend to him - The Lake Isle of Innisfree by W. B. Yeats - in this episode of The Poetry Exchange.
At the end of the episode, we share a recording of Martin reading 'Sometimes all it takes' by Gill McEvoy. We are very grateful to Gill for allowing us to share this beautiful poem. Gill McEvoy's Selected Poems is published by The Hedgehog Poetry Press in February 2024.
Thank you to Simon for such a beautiful converastion, to Martin for all the inspiration, and to all of you for listening.
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The Thrush by Edward Thomas
When Winter's ahead, What can you read in November That you read in April When Winter's dead?   I hear the thrush, and I see Him alone at the end of the lane Near the bare poplar's tip, Singing continuously.   Is it more that you know Than that, even as in April, So in November, Winter is gone that must go?   Or is all your lore Not to call November November, And April April, And Winter Winter—no more?   But I know the months all, And their sweet names, April, May and June and October, As you call and call   I must remember What died into April And consider what will be born Of a fair November;   And April I love for what It was born of, and November For what it will die in, What they are and what they are not,   While you love what is kind, What you can sing in And love and forget in All that's ahead and behind. 
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89. The Thrush by Edward Thomas - A Friend to Simon Crompton

In this episode of The Poetry Exchange, we listen back to one of our previous conversations - with the extraordinary actor Andrew Scott, talking about the poem that's been a friend to him: 'Love (III)' by George Herbert.
As 2023 draws to a close, this is the poem and conversation we want to lift up for you all...
We are incredibly grateful to Andrew Scott for joining us back in 2018 to talk so openly and eloquently about this poem and the part it has played in his life.
Thank you for all your support and for sharing a love of poetry with us during 2023.
With love from Fiona, Michael and all of us at The Poetry Exchange
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Love (III) by George Herbert
Love bade me welcome. Yet my soul drew back, Guilty of dust and sin. But quick-eyed Love, observing me grow slack From my first entrance in, Drew nearer to me, sweetly questioning If I lacked anything.
‘A guest,’ I answered, ‘worthy to be here.’ Love said, ‘You shall be he.’ ‘I the unkind, ungrateful? Ah my dear, I cannot look on thee.’ Love took my hand, and smiling did reply, ‘Who made the eyes but I?’
‘Truth Lord; but I have marred them; let my shame Go where it doth deserve.’ ‘And know you not,’ says Love, ‘who bore the blame?’ ‘My dear, then I will serve.’ ‘You must sit down,’ says Love, ‘and taste my meat:’ So I did sit and eat. Hosted on Acast. See acast.com/privacy for more information.

66. On The Departure Platform - A Friend to Gill

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