A political allegory, a morality tale, a crime drama…Elia Kazan’s multilayered masterpiece, On the Waterfront, is a film that has seen its share of controversy since its debut in 1954. On this edition of The Classroom Critics, Andrew and William are happy to be joined by Barry Steelman, host of Concord, NH TV’s On the Marquee program.

On the Waterfront

A film studies podcast by teachers who wish they had majored in film.

TV & Film

Midnight In Paris

Is it the greatest film ever about film making? Is it as relevant today as it was in 1963? Is Marcello Mastroianni the epitome of cool? The Classroom Critics say yes, yes, and yes. What do you think?

8 1/2 Analysis

Prying eyes, loss of privacy, revealed secrets––these fears are not new. Hitchcock explores these and much more in his 1954 classic, Rear Window. Part thriller, part murder mystery, this film has the Master of Suspense at the height of his powers.

Rear Window Analysis

Sometimes the truth is so absurd, one must choose to laugh or weep. Kubrick’s Dr. Strangelove is a satirical gut-punch, perhaps because the film’s absurdity may not be as much of an exaggeration as we would like.  “Our society is run by insane people for insane objectives. I think we're being run by maniacs for maniacal ends and I think I'm liable to be put away as insane for expressing that.”        John Lennon

Dr. Strangelove Analysis

Frank Capra's It Happened One Night is so much more than your run-of-the mill "opposites attract" screwball comedy. Not since Shakespeare has fictitious love been expressed with such simultaneous humor and depth.

On the Waterfront

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