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Tananarive Due '87, film historian, educator, producer, writer, and leading voice in Black speculative fiction, joins Northwestern Intersections in a special two-part episode. Due was always writing stories, even before she got to Northwestern, but she wasn't writing about horror and the supernatural until well after graduation. In part 1 she shares how through encounters with legendary figures and influential books, she not only found the confidence to pursue writing in the genre of horror, but from the perspective of Black protagonists. Resulting in the publication of her first novel, The Between. Due shares her own reasons for being drawn to the genre, and guides us through how the renewed interest in horror is rooted in the horrific times we're living in and contemplating our own survival. Black Horror is also experiencing a renaissance in film and literature—sparked by Jordan Peele's Get Out—as more people turn to the horror genre as a means of escaping real monsters, processing trauma, expressing the intangible, illustrating genuine systemic dangers, and inspiring the fight to survive in the face of it all.
By Northwestern Alumni Association4.9
3333 ratings
Tananarive Due '87, film historian, educator, producer, writer, and leading voice in Black speculative fiction, joins Northwestern Intersections in a special two-part episode. Due was always writing stories, even before she got to Northwestern, but she wasn't writing about horror and the supernatural until well after graduation. In part 1 she shares how through encounters with legendary figures and influential books, she not only found the confidence to pursue writing in the genre of horror, but from the perspective of Black protagonists. Resulting in the publication of her first novel, The Between. Due shares her own reasons for being drawn to the genre, and guides us through how the renewed interest in horror is rooted in the horrific times we're living in and contemplating our own survival. Black Horror is also experiencing a renaissance in film and literature—sparked by Jordan Peele's Get Out—as more people turn to the horror genre as a means of escaping real monsters, processing trauma, expressing the intangible, illustrating genuine systemic dangers, and inspiring the fight to survive in the face of it all.

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